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Showing posts with label Elaine Fraser. Show all posts
Showing posts with label Elaine Fraser. Show all posts

Thursday, 13 October 2016

Book Review: Amazing Grace, by Elaine Fraser


Review by Andrea Grigg.

Grace Bradley is in a pickle. A big one. Confused and uncertain, she’s held onto a personal secret for six years, and she needs to tell someone. But who can she trust?

When she chooses to unload on her best friend, she doesn’t get the response she’d hoped for. Things get even worse when her secret gets out and goes viral, because now she has to face her family, in particular, her mother. They used to be close but Grace is pretty sure her secret isn’t going to help bridge the gap in their relationship. Or will it? And what about all Grace’s questions to do with God? How will she find the answers to those?

Amazing Grace is a thought-provoking and insightful novel about a young girl who is unsure of her sexuality and her faith. Consequently, it tackles the controversial subject of being gay and the ramifications within Christianity. (How can God love me? Will Christians accept me? Will I have any friends?)

One issue the story raises is whether we can see someone as a whole person, rather than be blindsided by their sexual orientation. I hope we can.

There are kids out there who feel exactly the same way as Grace – confused, anxious and fearful – and that is why this book needed to be written. Amazing Grace brilliantly captures the struggle of a young woman trying to work out who she is, what she feels, and whether or not God can love her.

In reading the back matter, it’s clear Elaine has a compassionate heart. She hasn’t written Amazing Grace lightly, or just to stir things up, but has come from a place of love. I’m hoping mothers, aunts, sisters and cousins will be brave enough to give this book to their struggling relative and be there for them when they’re ready to talk.

I loved how this book made me think, put me in Grace’s shoes, and caused me to pray. I hope it does the same for many. Elaine Fraser, I applaud you.


I voluntarily reviewed an Advance Reader Copy of this book.




Andrea Grigg is the author of three contemporary Christian romances. You can find her on Amazon.com.au or Amazon.com. You can also connect with her on her Facebook author page, on Twitter, or simply send her an email, at andreagrigg@live.com

Friday, 14 August 2015

Indie Publishing Journey: Part One


I recently did a series about publishing on 98.5 FM here in Perth and responded to questions about what it takes to write a book and how to get published. Sharing my personal publishing journey was a lot of fun and reminded me of how far I’ve come and also how much I still have to learn

When I left teaching in the early 2000s to begin writing more seriously I embarked on the journey full of enthusiasm, but without any practical knowledge. Several people I knew had published books and I had the big idea that if they could do it, so could I.

Once I’d written my first book, Beautiful: beauty tips for the soul, I had no clue about what to do with it. I’m sure many of you are either in that place right now, or have been in that place. 

Back in the early 2000s, there weren’t many Christian publishers in Australia. Several of my friends had self-published, forming their own indie publishing companies, so after getting business and legal advice, my husband and I established our own indie publishing company.




We chose the name Beautiful Books as our imprint name and motto because it reflected our content and presentation.

The University of Western Australia offered an extension course on self-publishing so I signed up. It was the best course I could have done to begin the publishing journey.

The husband and wife tutors were successful psychologists and publishers and it was in this class I learnt the terminology and skills required to publish a book. Printing, designing, marketing and financial costs were covered and demystified. I now knew what to do in order to self-publish my book.  I followed the tutors' advice the same way I’d follow a recipe—step-by-step.

I got feedback on the writing and edited the book, then found a designer and printer to work with. 

With the prospect of two thousand books arriving in my garage, I wondered what to do next. How would I sell my book?

Consulting with the managers of the two national  Christian bookstore chains, I received two pieces of advice have stuck with me ever since:

1.     Write a good book with excellent writing and content and a viable target audience.
2.     Build a platform. Get out and speak and sell your book at events.

I pass on this advice whenever anyone asks me about my publishing journey. Our books have consistently sold in those two chains for the last ten years and I can’t believe that they still sell after all this time. We've added several more to the list since I published our first book, Beautiful: beauty tips for the soul including my husband’s photography books.

This is what we've produced so far: 

Inspirational Non-Fiction by Elaine Fraser
Beautiful: beauty tips for the soul
Too Beautiful: more beauty tips for the soul

Novels: by Elaine Fraser
 Beautiful Lives Series
#1 Perfect Mercy
#2 Love, Justice
#3Amazing Grace (Releasing late 2015)

Photography Books: By Steve Fraser
Moments in the Light by Steve Fraser
Wild Frontier by Steve Fraser and Ken Duncan
Inspirational Moments by Steve Fraser
Fragile by Steve Fraser (Releasing October 2015)











We produce books that reflect beauty— beauty of spirit, inspiration for living a beautiful life filled with adventure, beautiful images of nature and stories of triumph that result in beautiful lives. 

What has the journey been like in the space between the first book and 2015? 

The first part of the journey was about learning, the second part of the journey was also about learning— in fact, the whole journey is about learning!

More about the learning journey next time. 

By Elaine Fraser

www.elainefraser.co






Friday, 6 March 2015

Writing From Fragments

By Elaine Fraser

I’ve always loved writing and, as an angst-driven teenager, I used to keep a diary, until my mother found it and told everyone what I’d been writing. 

That’s where I lost the art of keeping a diary to record the events of my days and the attempt to make sense of the world through writing out my innermost thoughts. 

As a result, the discipline of keeping a journal in my adulthood eluded me. Many of my friends have journals filled with daily notes and memories. At times I’ve felt journal-guilt when I admit that, even though I'm a writer, I do not journal.

I do, however, have shelves full of notebooks with random jottings. I always have one in my handbag in case I want to write something. I have them on my desk and all over the house—one for each new project  I’m working on. A blue polka-dotted one is my next YA novel, an old-school lecture notebook is my contemporary women’s novel. Over the years, I’ve built up a collection of scribble-filled notebooks and I plan to fill many more.



Rather than keep a journal of memories and complete thoughts these are fragments of memories, ideas and quotes that I keep on my shelf, waiting for the right moment and the right circumstance that causes me to pull one out so I can use a scrap of information for a new article, novel or blog post.

I scroll through these notes maybe months or years after they were written and memories flare up, or ideas are sparked. Notes from sermons I’ve listened to, quotes, thoughts about life and what was happening to me and  vignettes of travel moments fill the pages. 

The notebooks are not diaries in which to keep track of every detail of my past, nor do they contain all my innermost thoughts. They function as a history of my thinking, the inputs that speak to me, the fragments of ideas that may someday form into something more concrete.

The memoirist Tamim Ansary wrote:

I do keep something -- it's not a journal, it's a log. Each day there might be like 12 words in that log, or 12 phrases. For example, what we're doing right now will end up in the log, "Huffington Post interview." And another item in the log will be, "My stolen car recovered today." [Laughter]
…That’s the better way to remember, to keep a skeleton so that your narrative-making machine, your memory, it can wake up and do its thing.

This thought encouraged me. All the fragments I’d written over the years, all the scribbles on random pieces of paper, in notebooks, or even on Facebook, were a mechanism to stimulate my ‘narrative-making machine’.

My son gave me a beautiful leather notebook for Christmas—it’s vintage leather and recycled paper—rustic and old-school—just the way I like it. I wondered what I would use it for. It was such a thoughtful gift, I didn’t want to just put it on the shelf or use it as shopping list paper.

I began writing a new book in it. The book is a 365-Day journey of adventure—adventures in creativity, travel, family and spirituality, the inspiration behind them and tips on cultivating an adventure-filled life will fill the pages of this beautiful notebook.

On each page, I’ve written fragments—only 150 of them so far. They will be fleshed out over the year through my blog and, hopefully, will become a book by the end of the year.



Articulating this process has given me inspiration on my writing journey. It's also helped me to understand how the writing process flows within me.

The fragments become fleshed out, then go into development, editing and rewriting before being published in a book, but it all begins with these fragments.

God plants in each one of us a creative spirit with differing gifts and talents, so it makes sense that we will all carry out the creative process uniquely, creating a work that will speak to the reader in a way that only we could do. 

I don't suppose it matters what our process is, if we're called to write then write we must. 


Elaine Fraser

Author Beautiful: beauty tips for the soul 
Too Beautiful: more beauty tips for the soul 
Perfect Mercy Book #1 Beautiful Lives Series 
Love, Justice Book #2 Beautiful Lives Series 

Find out more at: http://www.elainefraser.co


Tuesday, 28 October 2014

Where It All Began


By Elaine Fraser

In 2010 my husband and I traveled to Tuscany to celebrate our twenty-fifth wedding anniversary. We stayed in the wonderful Le Fontanelle in the Chianti region and lapped up the joy of being under the Tuscan sun.


One afternoon, overlooking a valley with terraced vines and pines, I sat on a lounger and wrote. Inspired by an incident I witnessed in a piazza in Aix-en-Provence, I wrote the opening scene of a novel.

After the trip, I put the notebook away, but kept thinking about how to develop this story into a full-blown novel.

For the next three years, I wrote the beginning three thousand words of the novel and visualised the rest of the story. I worked on three other YA books in the meantime, but in September this year I went back to where it all began.

I attended the Art of Writing retreat in Tuscany. It was fabulous to be in a quiet farming region with twelve others for the purpose of focusing on creativity.

We shared meals, classes and walks along quiet paths as we shared this precious time.


Going back to Tuscany where I had begun this novel was important. The setting took me back to that place where I imagined this story, and I was to be guided by three accomplished and encouraging tutors: Lisa Clifford, Jane Corry and Conrad Williams.

The daily routine of classes in the morning, personal sessions and writing time in the afternoon and evening Skype sessions with agents and publishers was an effective way to develop my novel.


Everyone was at different stages of their projects, and the sessions were designed to help us not only write better, but also to aid us in developing our projects to completion.

A key session, Writing From A Sense of Place, by Lisa Clifford, was fabulous. Lisa used examples from her books and the surroundings to help us develop a sense of place in our own writing. The session keyed us in to the five senses and the exercises helped us to bring life to our writing.

Jane Corry, who writes under four names, ran most of the classes. She is both an excellent writer and teacher. Jane’s sessions stretched us in our techniques and pushed our boundaries. We had a lot of fun as we worked alongside each other and read our work aloud. Everyone listened to each other read and gave encouragement with generous spirits.

The afternoons were spent writing on a terrace outside our room, on a hammock in the garden or in the gazebo. We had access to Wi-Fi, so could keep up with research or social media, however, I found that I hardly checked Facebook, Twitter or whatever. With notebook in hand, I wrote every day and late into the evening.


I had sent 3000 words of my WIP to the tutors and each one gave written feedback and talked through the suggestions they’d given me. In the workshops I wrote some parts of scenes and developed characterisation.

I also had the opportunity to discuss structure in individual sessions with each of the tutors. I was tossing around the idea of having three streams to the story the central character’s past and present as well as another character’s story. 

I was going round in circles trying to figure out whether to write in first person throughout or vary it between first and third.

By the fourth day, I’d nailed down a structure that would work, along with central scenes to develop and the point of view was established.

In the evening, the Skype meetings with agents and editors were interesting and gave us an opportunity to ask questions directly about anything to do with publishing.

Each of the participants had fascinating life stories and discussions around the meal tables were full of laughter and deep conversation. From England, Dubai, Australia, the USA and Italy it was a mix of culture and experience that was uniquely cohesive. Lifetime friendships were birthed in this group.

Mealtimes and aperitifs were times to continue discussions about our writing, however, as we all connected so well personally, as well as professionally, the discussions were a warm mix of exchanging life stories, discussing where we all were in our life journeys, as well as our writing lives.


Being in Tuscany caused us to be more mindful of our surroundings. As we wrote here, we absorbed the inspiration to be found in the landscapes, the warmth of the hospitality along with the local produce and wine. It was a stop in life that had an amazing effect on each one of us as the significance of where we each were on our spiritual, creative and life journeys.

In setting aside a week to be mindful in our writing, we also became mindful of our surroundings. Each moment became an inspiration, a spark and memory that will enrich our lives and creative work.


My primary goal in attending the retreat was to get direction for my novel. The bonuses were that I was encouraged to finish my book and to pursue publishing, along with making some special friends.

I think that’s why it’s worth going on journeys. They take you out of your comfort zone, heighten awareness and open up your soul in ways you never imagined. 

My next writing adventure will be at the Christian Writers’ Conference near Melbourne. Perhaps I’ll meet you there!




Elaine Fraser
Author 
Beautiful: beauty tips for the soul
Too Beautiful: more beauty tips for the soul
Perfect Mercy Book #1 Beautiful Lives Series
Love, Justice Book #2 Beautiful Lives Series

Find out more at: www.elainefraser.co http://www.elainefraser.co