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Showing posts with label Social Networks. Show all posts
Showing posts with label Social Networks. Show all posts

Tuesday, 28 June 2016

Why Are Social Networks Important?

Of making many books there is no end, 
and much study wearies the body 
(Ecc 12:12 NIV)

Yes, much study wearies the body (and the mind).

The same could be said of social networks and social media—there is no end to them, and just the thought is enough to make our eyes glaze over and our minds grow dim (or is that just me?)

Yesterday I gave a whistle-stop tour of 13 social popular networks which may or may not of relevance to us as authors. But wait! There's more! (I'm starting to sound like an infomercial.)

ClassMates

Reconnecting with old classmates and workmates. FriendsReunited is a UK-based alternative.

Flickr

Yahoo's photo sharing platform, which is older than Instagram and Pinterest, but has now been overshadowed by them.

Medium

Similar to Tumblr, and described by About.com as "perhaps the best social network for readers and writers". Perhaps this is one to check out.

Meetup

Organising local groups around specific interests.

Periscope

A Twitter-owned app offering live video broadcasting from your mobile device. It's gaining popularity among non-fiction writers, perhaps as a more current form of podcasting. Blab is a similar tool.

Reddit

A curation tool, where communities come together to discuss topics in subreddit threads. If I knew what any of those words meant, I’d tell you. I suspect Reddit is most useful for non-fiction writers – but it’s a curation tool, which probably means it’s something I should check out.

Tinder

A dating app. Your fictional characters might use it.

Vine

Short videos that can be embedded in Tweets (as Vine is owned by Twitter)

But . . . Why are Social Networks Important?


As I see it, there are two main functions of social networking for authors:
  • To help us connect with readers
  • To help us connect with other writers
This is why social networks are important. Writers often work in isolation, and online social networks provide us with valuable and necessary ways to connect with others. My favourite social network is Facebook, and I think of it as the kitchen or water cooler in my virtual office, the place I head for a short break to recharge before starting the next item on my to-do list.

Connecting with Readers

I believe connecting with readers is more important to an author's long-term success, because it is the readers who are going to buy your book (or books). For this reason, my suggestions around social networks are more focused on connecting with readers than with other writers--as this is the weak spot for most writers.

We need readers.

We need readers because they read our books. They talk about our books. They review our books. They buy our books. Sure, writers are also readers (or should be). But there are more readers than writers.

Connecting with Writers

Yes, connecting with writers is important, especially in the early stages of your writing. You need to learn to write, and other writers are going to be the people who help with that. Writers will be your first teachers, your first readers, your first fans. They will give you advice on what do, and what not to do. They will help you find a community, essential if your writing is ever going to be anything more than you and a computer.

But in the long term, connecting with readers is more important. Because while all writers are readers (or should be), not all readers are writers.

So what do you want or need from a social networking site:
  • The ability to connect with other users
  • A market demographic that matches your target reader

This means the social networks which are right for me might not be the same as those which are right for you. For example, I discovered as I was researching this post that there are specific social networks for specific groups (this probably shouldn't have surprised me, but it did).

For example, MyMFB has 1.5+ billion followers, and is touted as the Muslim alternative to Facebook. Twoo is a Belgian site geared to teenagers and twenty-somethings, while Renren (everyone's website) is China's largest social platform. VK.com is the Russian version. None of these are appropriate websites for me, as my target reader is a Christian with English as their first language.

But these social networks could be great options for writers targeting non-Christian readers in these countries and people groups.

So, no, you don't need to be on every social network. But you probably do need to be active on a couple of social networks. And you do need your own author website (discussed in this post), and you almost certainly need an email list (click here if you'd like to join mine!).

This is the conclusion in our series of posts on social networking (well, almost. Narelle has an upcoming post about Google+). Have we answered your questions about social media and social networking for authors? What more would you like to know? And what important information have we missed in this whistle-stop tour? Le us know in the comments!

About Iola Goulton

I am a freelance editor specialising in Christian fiction, and you can find out more about my services at my website (www.christianediting.co.nz), or follow me on Facebook (https://www.facebook.com/christianediting), Twitter (@IolaGoulton) or Pinterest (http://pinterest.com/iolasreads).

Monday, 27 June 2016

13 Popular Social Networks for Authors

Over the last couple of months, ACW has looked at various social networks writers use to connect with readers (and other writers). Yes, this is starting to feel like the neverending story . . .


We've already looked at:

  1. Twitter
  2. Facebook (post 1 and post 2)
  3. Pinterest
  4. Instagram
  5. Goodreads (post 1 and post 2)
  6. Klout (Simon Kennedy and I had the same view) 
  7. Tsu (and I think we're all agreed it's not the new Facebook). 
  8. One major social network we haven’t yet covered is Google+, and Narelle will be looking at that next month.


This week I'm going to take a whistle-stop tour through some of the other popular social networks--and my views on which sites you can safely ignore, and which you might need to investigate.

Popular Social Networks


9. LinkedIn

LinkedIn is a social network with a difference: it's geared towards business. EbizMBA.com report LinkedIn as the fourth most popular social networking site for June 2016, with an Alexa ranking of 9.

Should authors use LinkedIn? They should probably have an account, but the focus on professional connections means LinkedIn isn't going to be a place to connect with fiction readers. Sure, LinkedIn members will read fiction, but they won't be using LinkedIn to search for the next novel to read.

However, being active on LinkedIn might be part of an overall marketing or social media strategy for non-fiction authors, especially consultants who have written a book as a way of promoting their expertise in a specific area.

10. Snapchat

Snapchat is a video platform popular with teenagers. The attraction is that you can send a short video message which theoretically self-destructs as soon as it has been read (how Mission Impossible!). I say "theoretically" because I've read that Snapchat doesn't actually delete the chats, and because the recipient can screencap the video.

There are advantages and disadvantages to this format for authors looking to use the platform to connect with readers or market their books. The obvious disadvantage is that the content disappears once it has been consumed once--the recipient can't go back to remind themselves of the title of the novel you just recommended. But this could be tempered by the advantage: the content doesn't disappear until it's viewed (as opposed to other platforms such as Facebook or Twitter, where posts can easily be lost in the timeline).

11. Tumblr

Tumblr has an Alexa ranking of 34, and an estimated 110 million unique monthly visitors. It is focused on sharing visual content, and users tend to be teens and young adults. Reblogging is common. StumbledUpon uses a similar concept.

12. WattPad

WattPad is an online writing community that enables authors to share their works in progress with an online audience, who can then provide feedback or vote on the content (votes contribute to a daily "What's Hot List". Authors can either load complete stories, or can upload new content chapter by chapter. Stories can get categorised by genre (although there isn't a separate Christian fiction genre, and the Spiritual category includes a lot of fiction from other faiths, such as Islam), and can be tagged (e.g. #christiansunite).

WattPad is especially popular with teenagers and people who want to read (and write) Harry Styles fan fiction. The problem (or opportunity) with WattPad is the same as with sites like Amazon: discoverability.

Similar sites include Scribd, Bookmate, FanFiction.net and Fiction Press. Note that if your book is published on any of these sites, you won't be able to enrol your published book in KDP Select (although you can remove it and then enrol).

13. YouTube

YouTube has an Alexa ranking of 3, which means it's the third-most accessed site on the internet (Facebook is number 2). Many authors are on YouTube, using it for book trailers and interviews.

Personally, I'm not a fan. I'd rather read a book, and I'm not convinced putting effort into a site centred on moving pictures is the best use of time for most authors. There are two main groups YouTube could be useful for:

  • non-fiction authors, who could use the site to deliver online lectures (but they could also use other sites, such as SlideShare)
  • children's authors, especially books for young children

In my view, the only platform in this list fiction authors might want to consider is WattPad. Non-fiction authors might want to consider whether it's worthwhile participating in LinkedIn, Medium, or a sharing site such as StumbledUpon or Tumblr.

Meanwhile, are you active on any of these social networks? Which ones are your favourite, and why?


About Iola Goulton

I am a freelance editor specialising in Christian fiction, and you can find out more about my services at my website (www.christianediting.co.nz), or follow me on Facebook (https://www.facebook.com/christianediting), Twitter (@IolaGoulton) or Pinterest (http://pinterest.com/iolasreads).

Monday, 30 May 2016

Why Instagram?

by Andrea Grigg with Belinda Pollard.






I’ve enjoyed Instagram for a while now. I like looking at photos and quotes and videos and find it’s not as time-consuming as Facebook. As some of you know, I’m using Instagram as my platform of choice for my Year of Gratitude project. Every day this year I’ve put up a photo of something I’m grateful for, and then linked my posts to Facebook and Twitter. I decided to do it not only because the idea intrigued and challenged me, but also as an experiment. And because  I’m still bumbling along, I thought I’d interview someone else who’s further along the Instagram track than I am, a lovely lady by the name of Belinda Pollard.






Belinda welcome to ACW. Before we get onto the questions, please tell us a little about your background and what you do.

Hi Andrea – thanks for inviting me to the blog.

I began with a journalism degree way-back-when, and worked in radio and television news. Later, I did a second degree in theology, and veered into book editing. Nowadays, I’m a publishing consultant, book editor, speaker and blogger at smallbluedog.com. I love books and book people.

Awesome! Could you please tell us about your writing journey so far?



It took me 20 years to complete my first novel, because I wouldn’t give myself permission to write it – too frivolous! I finally introduced deadlines into the equation by entering competitions, and the old journalist in me rose to the challenge. Poison Bay, Book 1 in the Wild Crimes series, was published in 2014. 





In 2015, I published a light memoir,  Dogged Optimism: Lessons in Joy from a Disaster-Prone Dog. That one started as a series of funny anecdotes about my daft dog, and became something much more personal along the way. Poison Bay won a Varuna fellowship and an IPPY silver medal, while Dogged Optimism is a finalist in both the Indiefab and Next Generation Indie Book Awards. I’m working on Wild Crimes Book 2, Venom Reef, which recently entailed an ARDUOUS research trip to the Great Barrier Reef (oh, the hardship). I’m also working on several books about writing.


 You are one busy person! Anything else you’d like us to know?

I’m that rare beastie: an extroverted writer; social media has helped keep me sane(ish). I am chief ball thrower for a beautiful, socially-awkward red and white dog named Rufus. My house never seems to be tidy, even though I clean it every six months.

Totally understand you J Perhaps we’d better get on with the questions.

1.    What do you think about Instagram as a promotional tool? How does it compare to Facebook and Twitter?

Everyone’s experience will be different. Personally, I see Facebook as a place to meet readers, Twitter as a place to meet other writers and editors, and Instagram as a place to meet people who think visually. The biggest benefit to my author platform from Instagram has been the ability to share original content direct to my Facebook page. Instagram and Facebook are BFFs – it’s simple to share to Instagram and Facebook simultaneously.

2.    Is it worthwhile for authors to use?

Yes and no. If you expect to follow a few people, share a few pics, and sell a thousand books, you’ll probably be disappointed! My suggestion would be that if you’re a visual person, it’s a nice place to hang out and meet people with similar interests. Be genuinely social. Comment on their images. Reply to their comments on your images. I wandered onto Instagram and experimented. (I’ve outlined some of my experiences in this post: http://www.smallbluedog.com/instagram-for-authors-my-first-6-months.html ) I’ve met bookstore owners and journalists on Instagram, and those connections have turned out to be strategic, but to be honest, I’m there to look at pictures and connect with like-minded people. Any “career” benefits are almost just side effects. If you’re not a visual thinker, you will probably find Instagram hard work, or annoying, or both. But I have found it enjoyable and valuable.

3.    Should I use my real name or a nickname like I see so many people doing?

I use my real name, and in the same format as on Twitter… @Belinda_Pollard. Everyone must make their own decision of course, but I don’t see the point of using a nickname, since the goal of all author marketing is surely to get name recognition. As people scroll down their feed, quickly double-tapping photos to “like” them, I want it to be my author name that is being gently reinforced in their memory, rather than a cute nickname.

4.    What kinds of photos do you suggest I use?


Work out what is visual about whatever it is that you write. I share nature photos, which harmonise with the wilderness themes in my novels. I also share pics of my dogs, since I write about dogs. And I share the occasional writing workshop or author milestone, such as when my book arrived from the printers. I do take some trouble with my pics, trying to be creative or artistic in the way that I frame the shots. I’m no expert, though. I just enjoy nice photos!


5.    How do I get followers? Should I follow someone if they follow me?

As with Twitter, if you follow people they will often follow you back. And there are also a lot of spammers, as on Twitter. If your goal is to get followers, try following people who are interested in the same things as you, and who have smaller followings. People with large followings may not notice that you’ve followed them. Personally, I decided only to follow those whose photos I genuinely want to look at. So there are people I follow who will never follow me back. I just like to look at their pics! And I don’t follow-back spammers. I suspect that a small, engaged following can be more rewarding than a huge following of people who aren’t really paying much attention…

6.    What’s the story with hashtags? How do they work?

Hashtags seem to be the heart and soul of Instagram. People really do use them to find pictures they like, and many people use lots of hashtags on each pic. For example, my dog is a red heeler mix, so I’ll use hashtags such as #heeler #heelergram #heelersofinstagram on my pics of the pooch. That way, owners of similar dogs will see my pics and “like” them, and some will leave comments or follow me. And by tapping on those hashtags, I’ll see pics of other people’s dogs, and comment on them and follow them. When you start typing in a hashtag after your image description, Instagram will offer you a list of similar hashtags, and a number after each hashtag showing how much it gets used. I tend to choose ones with larger numbers (but not always).

7.    And a paragraph to sum up?

There’s a lot of buzz about Instagram being the fastest growing social platform, and a lot of pressure to join. The truth is, we can’t be on all the social platforms all the time. I suggest that people find two or three social networks that really work for them, and focus on those. And my motto for all social media applies just as well to Instagram: make friends, not sales. Experiment, and enjoy it! Form genuine connections with other human beings, and you’ll be surprised what might emerge.

Great advice, Belinda, and thank you so much for sharing your insights concerning the wonderful world of Instagram.

 Belinda Pollard is an award-winning Australian mystery author and former journalist. A specialist book editor since 1995, she has steered more than 60 books to publication for both traditional and independent publishers. Despite bad knees and a fear of heights, she trekked New Zealand’s Milford Track as research for her debut novel, Poison Bay. Her light memoir, Dogged Optimism: Lessons in Joy from a Disaster-Prone Dog, has been an Australian Amazon bestseller since its release in December 2015. She hates housework, but loves trees, dogs and chips.

She blogs writing and publishing topics at smallbluedog.com and Real Life on a Beautiful Planet at belindapollard.com Connect with her on FacebookTwitterInstagramLinkedIn and Google+






Andrea Grigg is the author of two contemporary Christian romances, A Simple Mistake and Too Pretty. She loves hearing from readers and writers alike, and can be contacted via Twitter, FacebookInstagram and via email: andreagrigg(at)live(dot)com

Tuesday, 17 May 2016

Promoting Your Book on Facebook: Three Tips

By Iola Goulton


What do people use Facebook for?


Yesterday I looked at the three types of Facebook pages: Profiles, Pages, and Groups, and the three types of Groups: Public, Closed, and Secret. I also gave some examples of each. Today I’m going to look at how you should—and shouldn’t—use Facebook for self-promotion. First, let’s look at what users want from Facebook.

What do people like on Facebook?


The American Christian Fiction Writers Facebook course I’m currently taking assigned us a task: to survey our target readers and ask them five questions:

1. How often do you check your Facebook newsfeed?
2. What do you most like to see in your newsfeed?
3. What do you least like to see in your newsfeed?
4. Why do you "like" a page?
5. What is your favorite "fan" page? Why is that?

I have two groups of target readers, one for my fiction and one for my non-fiction. I posted these five questions on my personal author page and in the Australasian Christian Writers group, and got sixteen responses. I know these aren’t statistically valid samples: the respondents are biased towards people who use Facebook a lot, and there is self-selection bias as well.

But my results are consistent both with what I would have expected, and with the results my ACFW classmates posted (what I found unexpected was how many of my classmates were surprised by the results. This could explain the content of some of their Facebook feeds …).

How often do you check your Facebook newsfeed?

Responses ranged from “daily” to “several times an hour” (to the person who blushed at admitting to ten times a day: you have nothing to be embarrassed about). This sample is probably biased in that people who aren’t on Facebook at least daily probably wouldn’t have seen the post.

What do you most like to see in your newsfeed?

There were a lot of similarities in the answers to this question:

  • News from family and friends
  • Inspirational posts (e.g. memes and videos)
  • Book or reading jokes (I also like grammar jokes)
  • Prayer requests (well, I did ask Christians)
  • Updates from favourite pages
  • Information and articles about writing and publishing (from the writers)
  • Information about personal interests (which vary by individual but include jewelry making, TV shows, science, craft ideas, and recipes).

Oddly enough, no one said “advertisements for books”, although people did mention links to free books or links to great books they could share.

What do you least like to see in your newsfeed?

There were also a lot of similarities in the answers to this question:

  • Political posts and rants
  • Whining
  • Advertisements and excessive self-promotion (although a post or two to announce a new book appears to be fine)
  • Swearing
  • Selfies, especially duck-face selfies (I do like classy selfies. But I agree about duck-face selfies)
  • Disrespectful posts or vitriol or posts that attack individuals (which is different from respectful disagreement over real issues)
  • Disturbing pictures (e.g. smut, cruelty to animals)
  • Scam posts (click this to win or share this if you want a blessing or repost this to show you care)

Why do you "like" a page?

Most people like pages either because they’re interested in the product or service or information provided, or because they want to support the page owner. This is good to know: your friends and fans want to support you.

What is your favorite "fan" page? Why is that?

One person asked “what is a fan page?”. I hope I answered that yesterday! The most common response was that they don’t have a favourite page.

Many writers said they like to visit writing groups (such as ACW). Others named specific pages, either author pages or the pages of other relevant communities. One person commented that they like the pages where the author interacts with fans and shows something of their personality, but don’t like the pages which are “into shameless self-promotion”.

Overall . . .

The results were consistent between the ACW members, and the people who answered via my personal page, suggesting that writers aren’t too different from non-writers in the way they use Facebook as individuals . . . which raises questions about the writer I mentioned yesterday, who posts to 100 groups each day.

How not to self-promote

As an aside, while I was procrastinating over writing this blog post, I checked out the 100+ groups this author is a member of (thanks to the fact the author doesn’t seem to avail herself of Facebook’s privacy settings). I’m a member of a few of the same groups, which are all promo-free or restrict self-promotion to once a week. One group had only two likes—one from the author herself, and another from her author page.

1. Focus on Engagement

Most of the groups were nothing but self-promo and the posts had little or no engagement, suggesting all the posters follow the same spam-and-run model of self-promotion, and no one is looking for books to buy (which reflects the results of my highly unscientific survey).

Facebook rewards people who post engaging content (i.e. content which people react to, comment on, or share). By continually posting content which gets no engagement, this author might unintentionally be pushing herself further down the Facebook algorithm to the point where Facebook doesn’t show her posts to anyone. Instead, she should:

2. Focus on Original Content

It was also evident that she—and others—are posting the same content over and over, something Facebook doesn’t like. Better to post less often, but to focus on posting original content her audience will engage with.

3. Target the Right Users

Most of the groups she posts in aren’t genre-specific groups: the author writes contemporary Christian women’s fiction, but her promotional posts were sandwiched between book covers featuring half-naked men and topless women, all in those shades of black and white so beloved of erotica authors. If this is the demographic these groups target, I’m not surprised members aren’t interested in down-home Christian women’s fiction.

If anyone would like a list of almost 100 groups that allow endless self-promotion and show little reader engagement, leave a comment! (Almost 100, because I’ve taken out the groups that don’t permit self-promotion, and the group she’s the only member of.)

There are ways of effectively self-promoting on Facebook. This is not one of them.


So how should we promote on Facebook?


Remember, it’s a social network. Be social:


  • Have a personal profile and an author page, and don’t post the same content on both.
  • Focus on engagement with posts over quantity of posts. Look for ways to connect with your target reader.
  • Focus your content on your followers want: inspirational quotes, book sales and recommendations (not just your own books), personal news, and articles on relevant topics. You can use your Page Insights tool to see what specific posts get the most engagement.
  • Self-promote only when you have something new to say: a new cover reveal, a new book available on pre-order, a new release, an older book on sale for a limited time.
  • If you choose to pay for advertising, make sure you do it properly: aim for email list signups or book sales not page Likes, do some training first, learn how to target your ads, use targeting pixels, and calculate ROI on each campaign (if you don’t know what pixels are or why they are important . . . well, that’s why you need to get some training first).


(If you want information on Facebook advertising, check out this brilliant blog post—well, essay—from author Jeff Posey: Facebook Advertisements)


Overall, remember that spam is in the eye of the beholder (you might think you’re not spamming, but it’s not your view that counts. It’s the view of your current and potential readers). Focus on connecting with readers, ensure every post is something they will want to Like, Comment on, or Share.

Are you a Facebook fan? If not, which social network do you prefer, and why?


About Iola Goulton

I am a freelance editor specialising in Christian fiction, and you can find out more about my services at my website (www.christianediting.co.nz),  subscribe to my monthly newsletter at CES Newsletter or follow me on Facebook (https://www.facebook.com/christianediting), Twitter (@IolaGoulton) or Pinterest (http://pinterest.com/iolasreads).

Monday, 16 May 2016

Introducing Facebook: Profiles, Pages and Groups

By Iola Goulton


Facebook is a social network founded in 2004 by Mark Zuckerberg and a team of classmates at Harvard University. The site has around 1.6 billion users worldwide, with around half accessing the site through mobile devices such as smartphones. In the US, 62% of adults have a Facebook account, and 91% of them visit the site at least weekly: more than any other social network. This level of engagement means it’s a great platform for marketers.

Users can post updates themselves (either directly or through third-party apps such as Hootsuite and Buffer), and they can Like (or react using other emoticons), Comment or Share update posted by others. Facebook also has direct messaging and video applications.

If you read my post last week then looked at Twitter, you may have found the number of self-promotional posts close to overwhelming—although that might depend on who you follow. I follow a lot of authors, and many of them do nothing on Twitter except self-promote. Guess who I ignore or unfollow or both?

Unfortunately, a lot of authors use Facebook in the same way, as a way to endlessly self-promote.


For example, American Christian Fiction Writers are currently offering a free one-month course for members on using Facebook. In the introduction, the teacher asked the class what questions they have around Facebook. One self-published author replied that she wanted to know how to get better sales results from Facebook, as she was currently promoting her books in 100 groups each day and not seeing much return.

Yes, you read that right. She’s spamming one hundred Facebook groups each day.


I’ll attempt to answer the question of why endless spamming doesn’t work tomorrow—and what works better. For today, I’ll take a step back and cover some of the Facebook basics (for the non-addicts out there).

First, Facebook is a social network, an online network of social interactions and personal relationships:

Facebook is also described as social media, an application that allows people to participate in social networking:

In both cases, the key word is “social”.


Some people liken Facebook and other social media platforms as being like a party, and says the “rules” are similar: you wouldn’t walk into a party and start trying to sell your product or service to friends and strangers, so you shouldn’t do this on Facebook either (Facebook is not a Tupperware party, where the sales pitch is implied from the invitation).

The party analogy ignores two important facts: some people would walk into a party and try and sell their product or service. And Facebook is not a party. It’s a business. A profit-making venture. In this respect, Facebook is more like a free newspaper—it has enough useful content to ensure people open and read it, but its purpose is to distribute paid advertising.

Facebook is the same.


It is are a business who has taken the long-term view. They invested years into building and marketing a free social networking platform that would make it easy for people to connect with friends old and new, near and far. And they’ve succeeded. But now they are seeking to capitalize on that investment by selling advertising space.

From what’s I’ve observed as a regular (*cough* heavy-bordering-on-addicted *cough*) user, Facebook has two main tactics to achieve their goals:

  1. Instead of showing users every post from every profile, page and group, Facebook are showing the posts they are most likely to engage with (by liking, reacting, commenting or sharing).
  2. Facebook are getting tougher on unpaid advertising—they penalize spammers, and encourage users to pay to boost posts, or to purchase pay per view (PPV) or pay per click advertising (PPC).

This makes perfect sense if you think back to my analogy of the free weekly newspaper: Facebook have to have enough genuine content to keep us interested and visiting the site on a regular basis, but enough paid advertising to fund the free platform. But not everyone can advertise on Facebook: that’s a privilege (?) reserved for Pages, not pages.

Types of Facebook pages

Not all Facebook pages are created equal. There are actually three kinds, and the easiest way to remember the difference is to look at how you connect with people:

Profile

Your personal profile (which was originally referred to as an individual page).
You FRIEND or FOLLOW a profile, and you are limited to 5,000 friends (which should be more than enough for most of us). Officially, people can only set up personal profiles using their actual name, but it is possible to use a pen name. Users have the option of making their profiles Public or Private (in theory, only Friends can see Private profiles).

Note that “internet privacy” is possibly an oxymoron: while I can’t see a direct message, or a post on a Private page or in a Secret group (below), I’m sure any halfway competent hacker can. The usual internet rules apply: don’t say anything you wouldn’t want to be public information. Even in a private Direct Message (because while people can’t Share, they can still cut and paste).

Regardless of what you do on Facebook, you need a personal Profile because you can’t set up a Page or a Group without one. Unless, of course, you decide you’re not going to be on Facebook at all.

Page

You LIKE a page. 
Pages were originally called fan pages, and can be set up by public figures, organisations and businesses. Pages have some marketing advantages over a personal profile:

  • You can have multiple pages (Facebook frowns on people having more than one personal profile)
  • You can choose what kind of page to have: I have an Author page (Iola Goulton Author), a personal blog page (Iola's Christian Reads) and a Professional Services page (Christian Editing Services).
  • You can have an unlimited number of followers (LIKES), while you are limited to 5,000 Friends
  • Pages are indexed, which is a fancy way of saying they will come up in Google searches
  • You can sell from a Page (selling from your personal profile is against Facebook’s Terms of Service)

Group

A group is just that: a group, and you JOIN a group.
A group is set up by one person, but may be managed and maintained by a team of administrators. Anyone can post to a Group, but (usually) only administrators can post using third-party tools (e.g. Buffer), and only administrators can delete posts.

Most groups have user guidelines, often displayed in a pinned post at the top of the group. These guidelines cover whether a group permits self-promotion, and under what circumstances. Some are no self-promotion ever, while others allow one self-promotional post per week or per month, or on a specific day of the week. Break the rules at your own risk: most groups have little patience for hit-and-run spammers (i.e. people who self-promote and never return to the group).

Types of Groups

There are three type of groups: Public, Closed, and Secret.

Public

Anyone can join a public group, anyone member can post to the group, and any member can add other Facebook users to the group. Personally, I steer clear of most public groups as they are often full of advertising . . . as if I don’t see enough already.

Closed

Closed groups have a degree of privacy, in that while anyone can search for a Closed group and request to join, only members can see posts, can post to the group and only administrators (usually) can add people to a group. Posts made to a Closed group usually can’t be shared beyond the group.

Some Closed groups are formal membership groups. For example, I’m a member of American Christian Fiction Writers, Omega Writers, and Romance Writers of New Zealand, groups which only paid-up members can join. I find them to be a useful networking tool, and an easier way of keeping up with news than long email loops.

I’m also part of several groups where all members have taken the same training course (e.g. Shannon Mattern’s WP BFF group, for those who have taken her Five-Day Website Challenge). These groups allow members to work together to offer technical support, with the group owner chiming in where necessary. I think these groups are excellent—everyone in the group has a similar level of knowledge on the topic and is working on a similar project, so it’s an easy way to get advice.

Other Closed groups are informal membership groups, and this includes a lot of reading, writing and editing groups. Australasian Christian Writers has a Closed Facebook group—because we want our group to be Australasians (wherever they live) who are Christians (of any denomination) who write (anything—book reviews, books, blog posts, articles, poetry). Without wishing to sound exclusive, we don’t want our group filled with non-writers who want to sell us coastal properties in landlocked countries, or any of the other strange ‘offers’ we see on the internet.

Secret

Yes, Facebook also has secret groups. You have to be invited to join a secret group, as they don’t come up in searches (well, it wouldn’t be a secret if everyone knew about it, would it?). The Secret groups I’m part of tend to be highly specialised. One is an editing group which chose to become Secret so posts wouldn’t show up in searches (editors need to be able to ask advice or vent without worrying that the author in question might come across the post). Another is an author’s street team.

The Facebook News Feed

Most users access Facebook through their News Feed, which shows what Facebook believes to be the most relevant posts based on previous user interactions (Like, React, Comment or Share). For example, I’ve heard people claim they don’t want to join Facebook because they don’t want to be inundated with pictures of what everyone else had for dinner. That’s easy: don’t interact, and Facebook will gradually learn not to show you these posts.

The News Feed doesn’t show you every post made by every friend or on every page or in every group. You can select to always see posts from particular people, pages or groups, but otherwise you will only see what Facebook thinks you want to see. One way it works this out is to show a post to a small percentage of personal or page followers. If enough people interact with the post (by Liking, Reacting, Commenting or Sharing), then Facebook will show the post to more people—effectively rewarding people for posting interesting content. Facebook also “rewards” users for posting unique and engaging content by showing these posts to more people.

This ‘curating’ of the News annoys some long-time Facebook users. 


There was a time when they saw everything in their News Feed, while now they only see what Facebook thinks they want to see (which makes sense. The average Facebook user receives 1500 messages a day even with a filtered feed. I don't know about you, but I don’t need that much information).

Facebook now take action against people who routinely promote themselves without paying by restricting them from posting for up to two weeks. I often see authors complaining about these sanctions, about being sent to “Facebook Jail”, and I’m sorry but I have little sympathy. Facebook is not a place to self-promote, advertise, or spam. If I wanted wall-to-wall advertising, I’d watch the Shopping Channel.

Facebook is a social network: the key word is “social” not “self-promote”. 


Facebook is a venue to be social, a place to connect with family and friends, with readers and writers, with other people with similar hobbies and interests.

So how do people use Facebook, and how should authors use Facebook to promote themselves and their books? I’ll be back tomorrow to consider the answers to those questions.

Do you use Facebook? What are your favourite features?


About Iola Goulton

I am a freelance editor specialising in Christian fiction, and you can find out more about my services at my website (www.christianediting.co.nz),  subscribe to my monthly newsletter at CES Newsletter or follow me on Facebook (https://www.facebook.com/christianediting), Twitter (@IolaGoulton) or Pinterest (http://pinterest.com/iolasreads).

Monday, 9 May 2016

#TwitterTips: Nine Tips for Using Twitter

By Iola Goulton

This week was going to be a post on using Facebook . . . but that's now going to be a two-part post next Monday and Tuesday. For today, here are nine tips on how to use Twitter as an author.

Twitter is for twits. That was my first impression, and my second wasn’t much better: that Twitter is like a gaggle of teenage girls with everyone talking and no one listening.

But I’ve persevered, and Twitter is now my second most influential social media network, after Facebook. And I’ve got to the point where it requires very little effort to add my content and maintain both my profile (@iolagoulton) and the Australasian Christian Writers account (@acwriters).


Despite the noise, the seemingly endless spam from authors who don’t know how to use Twitter, and the rumours it’s dying, Twitter has two huge advantages over Facebook:

  • There are no limits as to the number of followers you can have.
  • Tweets are indexed by Google, which impacts on search engine optimisation.

No, Twitter shouldn’t replace your own website and email list. But it’s an additional way of getting yourself out there and connecting with potential readers. And once you know a few Twitter tricks, it’s easy to use and doesn’t take long.

So what are my must-do #TwitterTips?


1. Set up a Twitter account

Set up a Twitter account using your author name, not your book name (you are going to write more than one book, aren’t you?). Even if you don’t plan to actively use Twitter, this enables other people to tag you in their posts (using what’s called the at-mention, e.g. @iolagoulton). Note that your Twitter name can be no longer than 15 characters.

If your name is taken, use your website name, or try JohnSmith-Writer, JohnSmith-Author, WriterJohnSmith or similar.

Add your author photo, and a header image (use Canva to create a 1500 x 500 pixel Twitter header.

Write your bio. You have 160 characters, and can include hashtags (see below). You can also include website addresses: use a link shortener such as bit.ly if the website addresses push you over your 160-character limit. Check out the bios of authors in your genre for ideas.

2. Manage Your Follows

The Twitterverse considers it good manners to follow anyone who follows you (unless you’re a major league celebrity). I follow back most people who follow me, excluding:

  • People who don’t Tweet in English (I don’t want Tweets I can’t read)
  • Spam accounts (e.g. buy followers)
Use appropriate tools to manage who you follow (to unfollow non-followers, and find target readers to follow). All tools have free and paid plans, with paid plans offering added features such as multiple accounts. I use Crowdfire to manage @iolagoulton, and ManageFlitter to manage @acwriters (yes, it recently occurred to me that while I can only manage one account through the free version of Crowdfire, I can use two free tools to manage two accounts). ManageFlitter is apparently the better product, but I find Crowdfire easier to use.

3. Tweet and Retweet

A tweet is you sending an original message while a retweet is you forwarding someone else’s message. Many people use RT to signal a retweet.

Figure out what you’re going to tweet, and make sure it’s not all about you—no read my blog, buy my book, follow me on every social media platform in existence including MySpace (I ignore most tweets in my feed, because that’s exactly who it is all about, and I recently unfollowed one author because not only was it all about her, but she tweets every ten minutes. 24/7).

Twitter is a social network, and the key word is “social”. Think about what your target reader might be interested in: if you write science fiction, try Dr Who memes and pictures of Benedict Cumberbatch. Mystery authors could tweet Sherlock Holmes quotes and pictures of Benedict Cumberbatch. If you write Christian romance, Bible verses, poetry quotes and funny book memes might be more appropriate. Perhaps no pictures of Benedict Cumberbatch. A shame.

All blog posts are better with a picture of Benedict Cumberbatch. I'm just sorry you can't see it.

Advice used to be to include images and links in your tweets to maximise engagement. That may be true, but my personal experience is that I get the most interaction from snarky "Dear Author" oneliners and #badwritingtips.

4. Use Hashtags

The # (hashtag) is used to identify topics by making tweets easily searchable by Google, which helps SEO (search engine optimisation). Popular writer hashtags include:

  • Genre tags (#romance, #chrisfic)
  • Book tags (#amreading, #books, #greatreads, #bookblogger)
  • Writing tags (#amwriting, #amediting, #1K1H—writing 1000 words in an hour)
  • Publishing tags (#amazon, #kindle, #publishingtips)
  • Marketing tags (#bookmarketing, #marketingtips).

Research shows Tweets with one or two hashtags get the most retweets.

Hashtags are also used for Twitter chats and events. However, these are usually in the evenings in US time, which makes them a little inconvenient for those of us in Australia and New Zealand.

5. Use Appropriate Tools

@ACWriters uses a free tool called Roundteam to retweet tweets from members of Australasian Christian Writers. This is managed using the ACW list: if you’d like to be added to the list, please follow @ACWriters and @iolagoulton, and tweet @iolagoulton to ask to be added. @acwriters also tweets the posts on Australasian Christian Writers.

@iolagoulton tweets book reviews, and tips on writing, editing, publishing, marketing, and social media. I curate and schedule all my social media updates using Buffer. I have sprung for Buffer’s Awesome plan (USD 10 per month), which is truly awesome as it means I’m posting regularly without actually being on social media 24/7.

Many Twitter experts recommend Hootsuite to manage Twitter and other social media accounts. Others rave about Edgar, but that costs around USD 50 per month. (which is probably worth it, because it combines the features of several other services). ManageFlitter is another option: you can schedule posts if you are on their paid Pro plan.

I find the Buffer interface cleaner and easier to use, and the paid plan allows me to schedule tweets for both @iolagoulton and @acwriters (as I’m the person with the password). As @iolagoulton, I’ve also started using TweetJukebox, which cycles through a preset list of tweets, and thanks people who’ve retweeted me. Out of interest: is this annoying, or do you like being thanked?

Most of these tools will both schedule posts and recommend optimum posting times based on when your followers are online (yes, Big Brother is watching you). The trick with these tools is to ensure your retweets are consistent with your author brand: as a Christian, you don’t want to find yourself retweeting Christian Grey quotes because the keyword matches.

Four Twitter Don’ts

6. Don’t follow everybody

Twitter limits each account to following 5,000 people until you have 5,000 followers. Then you can follow no more than 10% more than the number of people following you. So if you have 10,000 followers, you can follow 11,000 people. (Better to be the other way around, and follow fewer people than follow you).

7. Don’t make it all about you

Follow the 80:20 rule, and ensure no more than 20% of your Tweets are about you. Some commentators recommend 20:1. Unfortunately, most authors seem to think it's all about them, and my Twitter stream is often full of "buy my book!" spam, which I ignore.

8. Don’t send automatic messages

It might feel rude, but don’t thank people for following you, asking them to follow you on Facebook, or subscribe to your blog, or anywhere else. And don’t ask them to buy your book.

9. Don’t automatically screen followers

Specifically, don’t use TrueTwit or any other computer program to determine whether or not your followers are real. The only people I’ve seen recommend TrueTwit are TrueTwit employees.

For more information

I spend maybe five minutes a day specifically on activities related to Twitter (i.e. following and unfollowing, and interacting with other Twitter users). The rest of my activity is automated, although I have to set up and feed that automation, which is part of my more general social media time.

If you’d like to learn more about using Twitter as an author, here are two suggestions:

  1. Read Twitter for Writers by Rayne Hall
  2. Read Advanced Twitter Strategies for Authors by Ian Sutherland

Of course, it’s not enough to read. You also need to apply what you’ve learned.

Finally, remember Twitter is not about selling books. That’s a nice-to-have. The main purpose of social networking is to be social, and to aid discoverability. It's social. Not sell-me.

Do you use Twitter? Do you have any #twittertips to share?



About Iola Goulton

I am a freelance editor specialising in Christian fiction, and you can find out more about my services at my website (www.christianediting.co.nz),  subscribe to my monthly newsletter at CES Newsletter or follow me on Facebook (https://www.facebook.com/christianediting), Twitter (@IolaGoulton) or Pinterest (http://pinterest.com/iolasreads).


Friday, 12 December 2014

Is Tsu the New Facebook?

By Iola Goulton


Do You Tsu?

Tsu (pronounced "sue") is a new social network, launched in October 2014 with a unique proposition: 90% of advertising revenue is returned to users based on how much ad revenue their content makes for the site.

It’s currently invitation-only, although it's not difficult to get an invitation--all you have to do is visit the site via a member's link (like www.tsu.co/iolagoulton). I suspect this is a way of creating and managing early demand. It’s not a new idea: Pinterest had a similar gate when it was first launched.

Screenshot of www.tsu.co/iolagoulton

As you can see, Tsu has a similar look and feel to Facebook, just in green (apparently, Facebook is blue because Mark Zuckerberg is red/green colour blind). Tsu has most of the same functionality, including the ability to use hashtags, and a mobile app. It has some points of difference other than the advertising revenue payments.

  • Posts can have titles.
  • Posts can be either “Friends Only” or public, which could be a useful way for authors and other small businesses to have a single page for business and personal use.
  • Posts can be shared to Twitter and/or Facebook.
  • Tsu makes it easy for users to connect with you on other platforms by displaying your social media links in your profile.
  • There are detailed analytics available for all users. This probably isn’t relevant for most private users, but will be important for power users.

There are some limits, which I suspect are to reduce spam:


Authors might find the 5,000-friend limit limiting (although Facebook also has a 5,000-friend limit for personal pages). However, users can Follow without friending (as in a Facebook fan page, or on Twitter), and Tsu actually recommends users only befriend people they "know or want to know".

Advertising revenue is shared between the actual content creator and the chain who invited him or her, in what they call the "rule of infinite thirds" (mathematicians will observe the figures below don't add to 100%. I assume the remaining 0.7% is shared with people further up the family tree).

Image showing Tsu ad revenue split, from www.maximizesocialbusiness.com/new-tsu-social-network-16300/

Detractors say it is little more than an online multi-level marketing scheme (because people earn not only from their own accounts but from the accounts of their ‘children’), and that it’s not true engagement if people are engaging merely to get paid or help others get paid.

Is it worth it for an author to join Tsu? 

It’s hard to say at this point. The advantage is the potential to earn some money, but only if you or your 'children' post content that generates ad revenue (and how do you do that?). One disadvantage is that it’s another network to learn, and with all social networks, the return you get—social or monetary—is likely to be proportional to the effort you put in.

The other disadvantage is there are no statistics about who is on Tsu, because it’s so new. It seems to be mostly tech-savvy early adopters, although I’ve seen a lot of Australian authors there (although not Christian authors, yet). Having said that, I haven’t looked hard—but I get the impression that most people are connecting with people they are already connected to, via Facebook or Twitter. If that's the case, is there any point in joining Tsu?

The objective of any marketing effort, including social networking, is to connect with readers: specifically, those who read in the genre you write.

If you write inspirational historical romance, these tech-savvy early adopters probably aren’t your target readers, so is it worth putting effort into a social network that isn’t going to connect you with the people you want—need—to be connected to? The inspirational historical romance author is probably better off with Pinterest, because the demographics of Pinterest match the demographics of historical romance readers—women over the age of 35.

Writers in other genres—such as high-tech thrillers or certain non-fiction topics—might find an audience on Tsu. It's early days, so it's hard to tell.

Should you Tsu? Ask yourself my new pet question, and be honest:
WIBBOW: Would I Be Better Off Writing?
Cognitive psychologist Wade Harman challenges potential Tsu users to ask themselves three questions:

  • Am I wasting my time?
  • Is this something I can share information about?
  • Will it help others?

These questions are valid for any social network. If it’s going to be a time-waster that doesn’t contribute to your long-term marketing strategy or help others in any way, it’s probably better not to add another social media network to your diary.

What do you think? Do you see any advantages in joining Tsu?

About Iola Goulton

I am a freelance editor specialising in Christian fiction, and you can find out more about my services at my website, or follow me on Facebook, Twitter, Pinterest ... or Tsu.

I love reading, and read and review around 150 Christian books each year on my blog. I'm a Top 25 Reviewer at Christian Book, in the Top 1% of reviewers at Goodreads, and have an Amazon Reviewer Rank that floats around 2000.