 |
| Photo courtesy of Storyfix.com |
I was one of those novice
writers that wrote my first manuscript using the organic drafting method (yes,
I’m a pantser) rather than a well-defined plan that Larry Brooks encourages in
this excellent guide to writing fiction.
In fact I wrote pretty much
all of the first draft, all 250,000 words, without studying writing craft books in any detail. So theories of three-act structures with plot and pinch
points were all part of a strange new lexicon that I understood conceptually
but hadn’t practiced.
I then found myself an editor
who taught me the basics of the craft of writing. And in so doing became
enamoured by the writer/editor partnership.
I don't regret starting out
this way primarily because it both taught me a lot but also confirmed to me
that I had a "story" that could be written. Yes, I did work through 3
significant re-writes, a number of minor edits, and I estimate I wrote the best
part of 1,000 pages for what ended up being a 380 page novel.
Enough of me, what about
Story Engineering?
It’s sub-titled “Mastering
the 6 Core Competencies of Successful Writing” which are as follows:
- Concept
- Character
- Theme
- Story Structure
- Scene Execution
- Writing Voice
I first read “Story
Engineering” a number of years ago when I was in the process of a final major
re-write of Angelguard. I found it an excellent reference point to check, not
only the key structural elements of the story, but also the other concepts
Brooks outlines.
I took pages and pages of notes
that I still refer to today. In addition, Brooks provided access to a single
page cheat sheet that summarises the key elements. I’ve particularly found his detailed
outline of the 4-part story model and major story milestones invaluable as I
work through other manuscripts. The pantser in me struggles to assimilate such
a model when I set out on a new manuscript. It’s like my characters reject it
telling me to trust them but I appreciate this model underpins the majority of novels
and screenplays (3-act equivalent).
The book is very practical
with many references to both his novels (he’s published at least six) and
others. Yes, it could perhaps have been shorter (he likes his sports metaphors)
but the key information is very accessible.
If you're new to fiction
writing, or experienced but challenged to re-invent your process, or simply
want an excellent reference guide, I’d encourage you to add "Story
Engineering" to your writing craft collection.
Ian Acheson is an author
and strategy consultant based in Northern Sydney. Ian's first novel of
speculative fiction, Angelguard, is now available in the US, UK, Canada and Australia. He wonders if he'll ever finish the sequel, Wrestling with Shadows, but trusts Jack Haines is getting equally frustrated being away from the three girls that make his heart sing. You can
find more about Angelguard at Ian's website, on his author Facebook page and Twitter
