Authors are a varied and intriguing lot, I have decided. I
have met many in person at writing conferences, seminars and book events, as
well as online. And, after all, I am one of them! Recently, I saw
afresh what a vast mixture of writing approaches and writing goals we have when I set myself the task of reading or re-reading several
well-known books on writing. Out of all this, I came to what may well be some obvious
conclusions.
Firstly, there is no one right road towards producing that literary
masterpiece. There may be some things authors all need to do, such as drawing
the reader on with that exciting narrative arc or creating characters readers
care about—but how we do this will vary. For example, some of us may agree with
Stephen King’s views on plotting:
I distrust plot for two reasons: first, because our lives are largely plotless ... and second, because I believe plotting and the spontaneity of real creation aren’t compatible. (On Writing: A memoir of the craft p 163)
Some may also relate to Anne Lamott ‘s thoughts about characterisation:
Just don’t pretend you know more about your characters than they do, because you don’t stay open to them. It’s teatime and all the dolls are at the table. Listen. It’s that simple. (Bird by Bird p 53)
But some of us, on the other hand, may revel in using those
detailed plotting timelines and in-depth character studies or clarifying our
thoughts via complex mind maps or some version of Randy Ingermanson’s ‘snowflake
method’. We are all different. And that’s okay. That’s how God intended it to
be.
I am bearing all this in mind as I prepare my upcoming workshop
on memoir writing for the Christian Writers’ Conference to be held next month
(see http://www.christianwritersconference.dx.am/).
Yes, I plan to discuss the importance of working out the theme and structure of
that memoir before we start—at least to some degree. But I shy away from
advocating that authors follow one narrow path in it all. I hate being squeezed into
any mould myself. And I am not even totally convinced about those rigid
delineations between different genres at times. Where does biography become
memoir or vice versa, for example? Where does memoir become ‘creative fiction’
when our memory might fail us or our perception of certain events differs from
others’? There is a place for fluidity even here, in my opinion.
Secondly, we have different goals in choosing to write. Yes,
we may agree we want to provide readers with good, uplifting fiction or
non-fiction that honours God. We may all even hope to make a tiny profit in
the process! But, while many of us will desire to encourage our readers in some
way and perhaps even challenge or inspire them, others will aim simply to entertain
and enable readers to relax a little. We may each also have underlying, even subconscious
motives in doing what we do, I believe, which will usually colour our own
unique writing voice. It may be that we feel we have to write—that this is what we were created to do and what we
find most fulfilling. It may be that as we write, we are making sense of our
lives. It may even be that, as we write, we are finding ourselves.
And that’s part of what makes it all so interesting, don’t
you agree?
Jo-Anne Berthelsen lives
in Sydney but grew up in Brisbane. She holds degrees in Arts and
Theology and has worked as a high school teacher, editor and secretary, as well
as in local church ministry. Jo-Anne is passionate about touching hearts and
lives through both the written and spoken word. She is the author of six
published novels and one non-fiction work, Soul Friend: the story of a shared
spiritual journey. Jo-Anne is married to a retired minister and has three
grown-up children and four grandchildren. For more information, please visit www.jo-anneberthelsen.com.
