Exploring Genre: Romance Novellas and Novelettes

By Narelle Atkins @NarelleAtkins

A romance novella can be defined as a short and complete romance story with a typical word length that ranges between 20,000 to 40,000 words.

A novelette has a word count starting at 7,500 words. A story with a word count between 17,500 to 20,000 words may be defined as either a novella or a novelette.

Stories longer than 40,000 words are considered short novels.

Traditionally Published Romance Anthologies

Novellas and novelettes have always been popular in the romance genre.

Pre-Kindle and the emergence of ebooks, romance publishers would often release trade length novella collections containing a number of stories.

In 1997 Aussie author Mary Hawkins had a Christmas novella, Searching for a Star, published in the Christmas Dreams 4 story novella anthology by Barbour.

In 2017 Aussie author Lucy Thompson had her historical romance, Waltzing Matilda, included in a 9 story anthology The Captive Brides Collection published by Barbour.

The stories are connected by a common theme: Can their captive hearts be freed to dream, to dare, to love?

Novellas that are connected to a series

A Tuscan Legacy is a multi-author contemporary Christian romance novella series that includes a family mystery plot. A Tuscan Legacy opens with a short novel length Book 1 - That's Amore.

My contribution to A Tuscan Legacy is Solo Tu (Book 7) set in Sydney, Australia. I've indie published four romance novellas and Solo Tu is my longest, coming in at just under 40,000 words.

Mary's Hawkins' Australia romance collection from Barbour included three short novels and a novella.

Nicki Edwards' Operation Mistletoe Magic and Operation White Christmas are part of her 'An Escape to the Country' rural romance series.

Novella Prequel to Book 1 in a Series

In recent years we’ve seen the rise in popularity of the romance novella being used as a marketing tool to launch a series.

The prequel ebook novella is effectively a loss leader. It's often priced at 99c or free with the goal of funnelling readers into the new series. Alternatively, the prequel novella may be a 'reader magnet' and given away for free to readers who have subscribed to the author's newsletter.

These marketing strategies are used in all fiction genres for both traditionally and independently published series.

Novellas in ebook multi-author boxed set series

Boxed sets started to gain popularity in the Kindle store in 2013 and they remain a favorite with readers. 'An Aussie Summer Christmas' was released two years ago. For a limited time we offered six ebook novellas for the bargain price of 99 cents. The novellas in the set included A Christmas Resolution, All is Bright, Falling for Maddie Grace, Melbourne Memories, Santa Next Door and my novella Seaside Christmas.

My Inspy Romance author friends have put together A Christmas to Remember - on sale for Christmas 2018.

Print book single author collections

Authors sometimes combine their books into one print book collection. Meredith Resce has included two novellas and two short stories in Four Short Stories: Falling for Maddie Grace; And Where There's Smoke.

Standalone Romance Novellas

Tips for writing a romance novella or novelette

Ensure the plot isn't too big and complex

There's only room to develop a single romance plot in the shorter length romance novellas and novelettes. The shorter the word length, the larger the focus of the story will be on the hero and heroine. The word length puts limitations on the amount of time the minor characters can be on-stage in the story.

Limit the point of view characters to the hero and heroine or a single viewpoint.

In a typical romance novella or novelette there isn't space to include a minor character point of view. An exception would be a romantic suspense that may include short scenes in the villian's point of view.

Shorter time frame stories often work well

A good example is Amy Matayo's romance novella Christmas at Gate 18.

Reunion romances are popular tropes

If the couple already know each other and have an established history, the romance plot can get moving at a faster pace from the start without losing plot plausibility with readers.

External conflict and forced proximity is important

The shorter the story, the more the balance between scene and sequel will skew toward shorter sequels. The external conflict is what pushes the hero and heroine to be on-stage together in the scenes.

Tight writing and fast scene transitions

Every word counts in a shorter length story. The tighter the writing, the more space the author will have to write the important sequels that allow the reader to take a breath and reflect between the fast paced action scenes in the story.

Any Questions?

Have you written a romance novella or novelette? Do you enjoy reading them? I'd love to hear your thoughts and experiences.

A fun loving Aussie girl at heart, NARELLE ATKINS was born and raised on the beautiful northern beaches in Sydney, Australia. She has settled in Canberra with her husband and children. A lifelong romance reader, she found the perfect genre to write when she discovered inspirational romance. Narelle's contemporary stories of faith and romance are set in Australia.

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On Writing Suspense

Jenny Blake | @ausjenny

Today we have Sandra Orchard visiting us talking about Suspense. Welcome Sandra. 

So you think you might like to write a suspense? 

Well, I’m Sandra Orchard and in the last seven years, I’ve had 16 novels—romantic suspense, mysteries and cozies—traditionally published. And here are my top five tips to help you get started. 

1) Know readers’ expectations of your subgenre 

Writing genre fiction is all about meeting readers’ expectations. So . . . the first thing you need to do is figure out what kind of “suspense” novel you’re writing. 

For example, if it’s a suspense with romantic elements, don’t pitch it as romantic suspense, because a true romantic suspense has both a full suspense plot, and a full romance plot that are intertwined throughout the story. And publishers such as Love Inspired Suspense know their readers want both the emotional satisfaction of a romance and the adrenalin of a suspense, and the odd romantic element tossed into an otherwise riveting suspense won’t cut it for their readers. 

And a mystery is entirely different again. In a mystery, the protagonist sets out to solve a crime that has already been committed. Readers approach mysteries with the anticipation of solving a puzzle along with the sleuth. Whereas, a a suspense is more like a coil that tightens around the protagonist. She’s in a race to avoid being the victim of a crime and the reader is more concerned about how much damage the villain will cause if he’s not stopped. Thrillers may be all of that with high action to boot.

2) Research, research, research

The more you know about the elements you wish to include in your story, the more authentic it will read. If you say, she smelled cordite after a pistol was fired, every reader who knows anything about modern guns will know you didn’t do your research. Research crimes, technology, occupations, personalities, even settings. 

Tension is often heightened in the details.

3) Use Setting to Up the Suspense

Use all five senses to immerse the reader in the action, to foreshadow and to drop clues. But … don’t stop the story to convey description. Same goes for all the other research you’re itching to include in the story. Keep description active, sprinkling it in as the story unfolds. Choose strong verbs and nouns that show the mood of the pov character to do double duty of both heightening suspense, as well as showing the character’s internal conflicts. 

For example, in my debut novel Deep Cover, I give readers this glimpse of the opening scene: 

Rick glanced skyward and prayed for a miracle. A lone backhoe loomed on the horizon, silhouetted against the steel gray sky, its tires caked in mud. Too bad the machine wasn’t big enough to dig him out of this mess. 

Notice the word choices: Loomed, steel-gray, dig, mess—they show his frustration without ever saying he’s frustrated and they ratchet up the stakes for him. 

4) Craft your Villain well 

A common mistake among beginning crime writers is to create two-dimensional, slow-witted villains. The villain’s motives should be as realistic and believable as your main characters’. Your villain’s background must be as well fleshed out as your hero and heroine’s. In my opinion, a well-characterized villain can totally justify his actions in his own mind. He needs to be a worthy opponent. Also, give him a redeeming quality.

5) Play fair

Facts are facts. You can’t pretend they’re not, just to make your life easy. That said, it’s okay if everything in your story isn’t 100% possible, but within your story world it does have to be plausible. 

Moreover, you must play fair with the reader. That means logic counts, and you can’t pull a convenient explanation or twist out of the blue; you have to set it up first. Every detail you’ve written matters, especially in whodunits. As the adage goes, if she’s going to shoot the gun hanging over the fireplace in ch 18, you better have shown it in ch 2. 

Bonus Tip: 

Up the tension and urgency in a scene with short sentences and short paragraphs, even a single word. 

Your Turn: 

Share a suspense writing tip or something you often see in suspense novels that drives you batty.   Or ask a question and I’ll do my best to answer it. 

Today's post is cross posted at Christian Writers Downunder

Sandra Orchard—winner of the RT Reviewers’ Choice Award, the National Readers’ Choice Award, the Daphne du Maurier Award of Excellence, and several Canadian writing awards—leaps off the garden trails of her herbal-medicine-researcher-turned-amateur-sleuth (Port Aster Secrets) series, to the museum corridors of her plucky FBI art crime agent Serena Jones, in A Fool and His Monet, Another Day Another Dali and Over Maya Dead Body. She’s also contributing to several multi-author cozy mystery series with Annie’s Fiction. When not plotting crimes, Sandra plays make-believe with her young grandchildren or hikes with her hubby and husky near their home in Ontario, Canada.

Connect at: www.sandraorchard.com 
http://www.Facebook.com/SandraOrchard 
https://www.pinterest.com/AuthorSOrchard/