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Showing posts with label Romance. Show all posts
Showing posts with label Romance. Show all posts

Monday, 5 March 2018

Genre Trends

by Jeanette O'Hagan

Over the last year (2017), our CWD/ACW posts have explored different genres. We have just scratched the surface and will be looking at more genres in the coming months.  However, last year Ian Acheson suggested we look at current genre trends for 2017.



Why Worry about Genre Trends?


What difference does this make? Some genres tend to be more popular. Romance is generally big, and also thrillers, mystery and crime as well as science fiction and fantasy and children’s picture books. In non-fiction, cookbooks, self-help, biographies might be popular. In recent years, there have growing trends for Young Adult and Graphic Novels. On the other hand, literary fiction may have a more limited, perhaps refined audience whereas poetry – once the Queen of literature – is often hard to sell.

And different sub-genres – Amish or paranormal romance or dystopias or Nordic noir or solar punk - may be all the rage -- often on the back of a popular block buster (Twilight, Hunger Games, the Girl with the Dragon Tattoo) or ongoing trend (like Amish). Or, perhaps the once favourite genre is already passé.

Of course, trending could mean either what readers buying/reading OR what agents and publishers looking for/accepting. It stands to reason that what readers want and what agents and publishers are looking for are the same thing – but not always. For instance, publishers may choose more literary titles or have particular biases and interests. And there are often big differences between what sells from the big publishing houses compared to the big sellers for Indie authors.

 Knowing which genres are trending may help in choosing or refining our target audience and the genre we write in.  Writing to a popular genre or sub-genre can make a difference to how many readers and royalties we garner. If you have more than one potential project, knowing the trends may help choose which to write next. Or maybe we can tweak what we are already writing to appeal to a specific audience. 



Even so, there is often a niche audience for most sub-genres, even obscure ones. Besides, a trend may be on its way out of a saturated market by the time it takes to write our book and get it published. And predictions are just that – predictions – at best educated guesses based on current trends, at worst just plain wrong.

Besides, there may be good reasons why you don’t want to write a particular genre or sub-genre, no matter how hot it currently is. It’s better to write what you are passionate about, than to slog out a book in a genre you hate because it sells (readers will notice). 

So, what are the trends?

In General



In A D Hurley’s 2017 report on Amazon sells, Romance took 66% of books, with 87% of the top 100 selling slots. Other top-selling genres go to Sci-Fi/Fantasy, Non-Fiction, Mystery/Suspense/Thriller, Children’s, and Literary Fiction, respectively. Whereas, for the Big 5 publishers literary fiction heads the list, then 2. Mystery/Suspense/Thriller, 3. Children’s, 4. Non-Fiction, 5. Science Fiction/Fantasy and 6. Romance.  Small press publishers might have their own preferences and specialities.

Within the broader categories, some subgenres are trending.  Hurley reports (2017) ‘LGBT books have seen a 200% increase, comic books and graphic novels — an 119% bump, and Teen and YA novels are on a 63% rise.’ 



Dena of Batch of Books suggests that YA & Children’s books with diversity (people of colour, disability, woman and LGBT), unique or strong woman characters, humour and ‘love, hope and dreams’ will do well in 2018  Other pundits suggest an increase in mystery books. While some suggest, in contrast to the pessimistic dystopian books, the optimist Solar Punk is making its mark.

Other areas that is growing, according to Lauren Wise, are novellas, anthologies, and co-authoring and book bundles. In part as marketing strategies for authors, but also because shorter fiction is easier to publish as an e-book, and readers often have less time and appreciate shorter reads.

Some of these trends provides a challenge for Christian authors, but also an opportunity.

Christian Books


Non-fiction (Bibles, devotionals, Christian living and biographies) probably dominate the Christian market. How do genre trends translate into Christian Fiction?

USA


Traditionally, in the USA, Christian fiction has been driven by romance, historical and biblical fiction – with a strong emphasis on Amish and bonnet fiction. 

For 2018, Publisher Weekly reports that some suggest Amish is waning, while others feel it is still going strong and that there may be a trend toward romantic suspense. Speculative fiction and mystery have struggled with CBA though there has been a trend for cross-over and edgier fiction with small press – such as Gilead’s acquisition of Enclave and expansive publishing model -- and a move to more realistic fiction that addresses difficult issues with some publishers.  (See also this.)



Australasia


The Australian and New Zealand markets are much smaller, especially in Christian fiction and non-fiction with limited publication opportunities and difficulty competing with big titles from across the Pacific.

Christian readers downunder often favour more realistic, maybe edgier, fiction than the America market. Once again, romance is a major player, though Rhiza Press publishes a range of genres, and Stone Table Books is actively looking for speculative fiction. Perhaps mystery and (non-romantic) thrillers are underrepresented.

The Future



Whatever the trends, God holds the future. And while it’s in some ways harder than it was a few decades ago, there are different opportunities as well. Part of our challenge is to respond the heart cries of the world with the grace and hope of the gospel - whether explicitly or implicitly. 

So over to you – What trends would you predict for 2018? What’s your favourite genre or sub-genre to write or to read? And what’s the strangest genre you’ve come across?

ACW/CWD Cross post.

***


Jeanette started spinning tales in the world of Nardva at the age of eight or nine. She enjoys writing secondary world fiction, poetry, blogging and editing. Her Nardvan stories span continents, time and cultures. They involve a mixture of courtly intrigue, adventure, romance and/or shapeshifters and magic users. She has published numerous short stories, poems, two novellas and her debut novel, Akrad's Children. Find her on Facebook or at her webpages Jeanette O'Hagan Writes or Jenny's Thread.








Wednesday, 14 February 2018

Why Romance?

Happy Valentine's Day!

Valentine's Day. A day of roses and romance and restaurants and all things that celebrate the wonder and glory of love...(cue violins, followed by gagging)

I have an admission. Despite my best efforts my husband and I don't really celebrate Valentine's Day. He thinks it's ridiculously commercialised, and can't really see the logic in paying a premium for roses and restaurant meals which would be priced normally a day later or before. (I mean, come on...really? That happens?)

That doesn't mean he doesn't love me; he just doesn't like societal expectations that say a man's love for a woman is proved by how many red roses he gives her. Um, how about his love being proved in the 14 hour days of sweat and pain as he labours to earn money to put food on the table for the wife and kids living 8 hours away? How about the love proved when a couple chooses to stay together after tragedy, when they practice forgiveness as they battle with selfishness and pride? Not glamorous enough? Not romantic enough?

Maybe I'm a trifle cynical, and for the record I do think relationships are worth investing in with nice meals out and special times away (so if you're celebrating Valentine's Day today I hope you have a wonderful time!). But sometimes it's easy to get caught up in the fantasy element of what a loving relationship looks like (hello Facebook boasts posts), and we can mix up the hard yards of love with the fantasy elements of romance.

I recently asked readers on my Facebook page why they read romance books. Answers ranged from wanting 'to live vicariously through the story' and 'gives hope that this could be a reality' to liking novels 'that make you think and encourage you to make changes in your own life' and 'reminds us what true love is and shows how powerful godly relationships are.'

I know it's easy to get swept into the fantasy element of romance novels - as a historical romance author that's (partly) what I aim to do! But I think the challenge as a romance writer is to balance the fantasy with aspects of reality, the grit of personal and emotional challenges, so that what we present our readers is not an impossible dream, but something that gives a healthy approach to loving others in this day and age.

After all, eventually the roses wither, the chocolates are eaten, the memories of that meal out (with dozens of other couples) fade. But the relationships built on faith and trust and forgiveness and self-sacrifice and God - the marriages that last 40, 50 years - these are the real love stories, built on principles that can't be bought, that sing a louder song to this world and celebrate the wonders of love in a lasting way.

Over to you: Have you read a romance novel that challenged you to make changes in your life?

Carolyn Miller lives in the beautiful Southern Highlands of New South Wales, Australia, with her husband and four children. Together with her husband she has pastored a church for ten years, and worked as a public high school English and Learning and Support teacher. 
A longtime lover of romance, especially that of Jane Austen and Georgette Heyer’s Regency era, Carolyn holds a BA in English Literature, and loves drawing readers into fictional worlds that show the truth of God’s grace in our lives. Her Regency novels include The Elusive Miss Ellison, The Captivating Lady Charlotte, The Dishonorable Miss DeLancey, and Winning Miss Winthrop, all available from Amazon, Book Depository, Koorong, etc

Let's connect! Website | Facebook | Twitter | Pinterest







Monday, 4 December 2017

Exploring Genre 2017

by Jeanette O'Hagan



This year, the cross posts between Christian Writers Downunder and Australasian Christian Writers are focusing on genre. I've found it an interesting series and some more in depth look at different sub-genres in more depth. So just to recap -

Why Genre?


Iola Goulton started off the year asking the question - why genre?  She reminded us that genre's are useful for managing reader expectations and in helping to target promotion and marketing.

Then over the next several months we've looked at specific subgenres - or some broader categories - in fiction, non-fiction and poetry.

Fiction


Fiction has a number of broad categories such as romance, speculative fiction (science fiction and fantasy), crime and detective fiction, historical dramas, thrillers, military, women's fiction and literary - among others.  Fiction can also be aimed at children (picture books, chapter books, middle-grade), young adult (teens), new adults (teen-early twenties) or adults.

Romance




While romance can often be a subplot or theme in a range of other genres, in category romance the focus is on the relationship and the obstacles to a romantic relationship between the hero and heroine or romantic couple.  Category romance is hugely popular and generally has some firm expectations. It can also range from sweet to steamy (or blend into erotica, which is really another category).

There are a wide range of sub-genres with romance.

Carolyn Miller introduced us to historical romance (romance set before the present day) and in particular regency romance - romance inspired by Jane Austen and set in or around the regency period - eg. early 19th century.  You can find her delightful post here.

Nicky Edwards took us on a tour of rural romance (set in the country) and medical romance (with nurses or doctors as protagonists and which includes medical drama), usually set in contemporary times. You can read more here.

Speculative Fiction




Speculative Fiction images a different reality - whether that be a variation of earth as we know it or different world altogether. It is generally divided into Science Fiction (where science or a imagined science explains the world) or Fantasy (in which a non-scientific - often super-natural - explanation is given), though these can cross-overs such as science fantasy and mixtures. There is easily over 100 sub-genres within this field - including crazy mash-ups like gaslamp fantasy or weird west.

Adam Collings  introduced us to Space Opera - epic Science Fiction set in space with a focus more on the story than a detailed or hard science - think Star Trek or Doctor Who.  And, also the Superhero sub-genre which can used a scientific (Superman) or a supernatural (eg Thor) explanation for the special powers.  Read more here.

Jeanette O'Hagan introduced Secondary World and Portal fantasies - both of which are set on an alternative (non-earth) world. In the first the world exists without reference to earth, whereas in the second, the protagonist travels through a door or portal to the other world. Read more here.

Ian Acheson introduced us to Supernatural Fiction - which focuses on supernatural beings such angels, demons and/or ghosts (and is related to paranormal and urban fantasy). It can have a faith or Christina focus or be more 'secular' in its approach. Read more here.

Shorts


We also looked at 'short fiction' from flash to novellas (though it could also be non-fiction). Read more here.

Poetry




Poetry can be non-fiction or fiction, it can be strongly narrative (ballads, for instance) or focus on a moment or a feeling or be metaphorical.

Valerie Volk gave a wonderful introduction to Poetry (here)  while the following week we explored Free Verse (poetry without a set rhyme) and Verse Novels (telling a narrative in verse)  (read more here).

Non-Fiction


And finally, Nola Passmore introduced us to creative non-fiction (and how that differs from reportage). Read more here.


It can be tempting to see genre as a straitjacket or a way of pigeon-holing our fiction.  It can be seen as restrictive or reducing writing to formula (the HEA, the red herrings and clues, etc).  Some genres have stricter guidelines  - the category romance, the cozy mystery - while others almost by their nature tend to push the boundaries  or like cross-overs with a meld of different genres (speculative fiction, Young Adult).

Writing within a genre still allows amazing variety and ingenuity, especially when there are so many.

ACW & CWD are thinking of extending this dip into genres and subgenres next year. With that in mind,

Have  your found the series helpful? How?
What did you learn (if anything)?
And are there any particular genres you'd love to find more about?

List of posts (chronological order)

Genre  
Creative Non-Fiction

Spaceship image courtesy of digitalart at FreeDigitalPhotos.net
Cover Image Valerie Volk  In Due Season
Other images copyright Jeanette O'Hagan

...............


Jeanette started spinning tales in the world of Nardva at the age of eight or nine. She enjoys writing secondary world fiction, poetry, blogging and editing. Her Nardvan stories span continents, time and cultures. They involve a mixture of courtly intrigue, adventure, romance and/or shapeshifters and magic users. She has published numerous short stories, poems, two novellas and her debut novel, Akrad's Children. Find her on Facebook or at her webpages Jeanette O'Hagan Writes or Jenny's Thread.

Thursday, 24 August 2017

Book Review: Grounded Hearts by Jeanne M. Dickson


Blurb
In the midst of World War II, Ireland has declared herself neutral. Troops found on Irish soil must be reported and interned, no matter which side they are fighting for. When midwife Nan O’Neil finds a wounded young Canadian pilot at her door, she knows she’s taking a huge risk by letting him in. Not only is she a widow living alone, but if caught harboring a combatant, she’ll face imprisonment.
Still, something compels Nan to take in “flyboy” Dutch Whitney, an RAF pilot whose bomber has just crashed over County Clare. While she tends to his wounds and gives him a secret place of refuge, the two begin to form a mutual affection—and an unbreakable bond.
But Nan has another secret, one that has racked her with guilt since her husband’s death and made her question ever loving again. As Nan and Dutch plan his escape, can he help restore her faith?


Review

I loved this novel. It’s very romantic, funny at times, and deadly serious at others. Nan O’Neil is a great character; strong yet vulnerable, courageous yet self-doubting.  Her inner journey and attempts to deal with her past are moving and intriguing. The development of the romance between Nan and Dutch starts very quickly, perhaps a little too quickly, as Nan barely has the dashing but badly injured Dutch inside her home before she’s moved by his physical attributes. While she interacts with him as chastely as one would expect from a young Irish Catholic widow, it’s clear from the start that a relationship is going to develop.

The other women characters are colourful and supportive and the collusion between them is delightful. I loved the Irish banter and joking. There are great insights into small village life in Ireland, as well as the community support and regard for each other’s needs. There is also the sleazy male policeman with regard only for his own needs and a total disrespect for women. He provides a good balance of characters.  

The characters are well developed, and the story flows at a good pace without skimming over the internal struggles of both Dutch and Nan; emotional as well as spiritual struggles. The Christianity has a very Irish Catholic flavour which makes the story down to earth and real in terms of the setting and the times. Nevertheless, the case for a forgiving and loving God is made very clearly as Nan faces her guilt from the past and her need to forgive herself.

The serious nature of war; the dangers and moral questions it raises are not overlooked and the risk that Nan takes and the danger that Dutch is in are not underestimated, making for some scary moments.

The outcome will delight romantics and the story definitely has a ‘feel good’ ending, where everyone gets their just deserts.

I would highly recommend this novel.    

Carol



Carol writes historical novels based on her family ancestry in Australia from the First Fleet. They include the Turning the Tide series; Mary’s Guardian, Charlotte’s Angel, Tangled Secrets and Truly Free. Two of her earlier novels, Suzannah’s Gold and Rebecca’s Dream, were re-released by EBP.  Next of Kin was released in 2015 by Rhiza Press and the sequel, Beyond the Fight, in 2016. You can see more about Carol and her novels on her website, her Amazon author page or FB author page.

Thursday, 9 March 2017

Book Review: Saving Grace by Jennifer Westall

Through years of poverty, racial tension, and legal battles, Ruby Graves has suffered the worst the Great Depression could throw at her. But an enemy she couldn’t possibly imagine awaits just over the horizon. After she and her brother, Henry, escape to the tropical paradise of the Philippine Islands, Ruby volunteers as a nurse at a medical clinic in Manila. Although surrounded by beauty, Ruby can’t shake her guilt over leaving Matthew behind, even if it was for his own good. And even worse, God hasn’t spoken to her since the fateful day at Cold Spring.

Meanwhile, Matthew Doyle arrives in the Philippines with the Corps of Engineers, determined to live the life of faith that Ruby would have wanted for him. Despite the rumors of impending war, he’s drawn to the islands’ promise of adventure, and, like many of his fellow soldiers, believes the superior forces of the United States would quickly thwart any attack from Japan. But everything changes on the morning of December 8, 1941.

As the Japanese close in on American forces in the Philippines, Ruby, Matthew and Henry are swept onto the jungle peninsula of Bataan in a desperate attempt to hold out for reinforcements. New enemies emerge, testing their strength beyond anything they could have ever thought possible. Can Ruby and Matthew find their way back to each other, and survive the onslaught of the Japanese assault? 

Review

After having read and enjoyed the two novels preceding this one; Healing Ruby and Breaking Matthew, I was really looking forward to this third story, hopeful of a happy ending for this pair. While I was disappointed to find this was not the end of their story at all, and I now have to wait for another installment, I was very engaged and enthralled by this story. 

Saving Grace is set in the Philippines, so a completely different setting to the first two, which are set in the southern states of USA. While there were some interesting historical aspects in the first two about life in that part of the world, especially around racial issues, this third story takes a deeply moving, tragic and honest journey into WW11. I think Westall has done her research well and has not held back from describing the ravages and terror of war. So this is not a light read. 

Westall's writing is unashamedly Christian. Ruby and Matthew's faith journeys are central to the story, and I found this very real and challenging, more so in this third novel than in the first. Of course, the romance between these two takes many twists and turns and is threatened, not only by the dangers they face, but by their personal inner struggles. As a reader there are times of frustration and annoyance with the path of their love story, but they are both great characters, both heroes in their own right, and believable. There are plenty of villains in the story too, so it's got a good balanced. 

I now look forward to the next installment of this couple's story. As Saving Grace ends in Melbourne, Australia, the next book will have particular appeal. Although I've enjoyed all of these stories, I'm hoping the next will include the happy ending I'm sure all readers would like Ruby and Matthew to have. I'm not used to reading series which take such small chunks of characters' lives and carry it through three or four books, so this is new for me. 

I'd recommend Westall's novels to those who are looking for a thoroughly faith centred, historically focussed, gripping romance. 

Carol 


Carol writes historical novels based on her family ancestry in Australia from the First Fleet. They include the Turning the Tide series; Mary’s Guardian, Charlotte’s Angel, Tangled Secrets and Truly Free. Two of her earlier novels, Suzannah’s Gold and Rebecca’s Dream, were re-released by EBP.  Next of Kin was released in 2015 by Rhiza Press and the sequel, Beyond the Fight, was released 2016. You can see more about Carol and her novels on her website, her Amazon author page or FB author page.









Tuesday, 21 February 2017

Sheilas and Blokes




We Australians are reputed for some funny sayings. Though these names are not used so much in today’s vernacular, in times past the Aussie slang for woman was ‘sheila’, and for man was ‘bloke’.

A few years ago during a Uni lecture - Cinema Screen and Theatre – we were shown a reel that highlighted the Australian movies of the last 100 years. In the reel they had a section entitled ‘Sheilas’ and specifically focused on the way women had been represented on the screen over that time. I watched with a combination of amusement and cringe as the documentary-maker honed in on the early movies from the 1920’s through to the 1950’s where the female characters were depicted as helpless, pathetic and always in need of rescue. The scenes chosen were done so in a deliberate attempt to show the attitude toward women in the pre-feminist era. There was a very obvious scoffing at how the hero had to come in to lift the heroine from her downcast position, her head lolling back as she stared up in awe at her rescuer. Cringe. It did make me want to say: ‘toughen up princess!' Then as we moved on past the 1970’s the heroine became much more aggressive, and was able to fend off attackers herself, using bricks and other bits and pieces that came to hand.

Mind you, the way the blokes were depicted in this collage during the early years showed men who were condescending and verging on arrogant. Sitting in our post-modern era, even I felt like giving them a good shellacking. 

As I was pondering on what I had seen during the class I had fully understood the message that was intended: the helpless damsel in distress is pathetic and needs to be an independent, self-sufficient woman. The rescuing hero is a self-important, arrogant, oppressive personality.

 But something wasn’t quite right with the message, and I was upset by it. I’m a writer of romance, and a strong self-sacrificing hero is essential. Admittedly, I’m not a fan of a useless heroine. She needs to have some gumption and presence of mind, but having need of a rescue and assist every now and again can lead to some nice romantic interaction.

Examining this idea that exists in my mind at least (though I suspect I’m not alone as evidenced by the popularity of the romance industry) raises a question: Where does this fascination for a rescuing hero come from?

In the past I have talked about an innate need for a hero/saviour. The old Webster definition for romance included these words: a fabulous story of love or of war. Romance is all about strong heroes; Action characters who rescue situations and damsels. Why do we, men and women both, enjoy a story of heroism? My immediate response is: all mankind need a hero/saviour, and that hero is Jesus Christ who has effected the great rescue of all time. We do not rescue ourselves from sin and death using a brick or anything else. It is the sacrificing blood of Christ, and our grateful response of surrender to Him. Are we pathetic and useless? Perhaps, but we are also saved, and without Him as our hero we wouldn’t be able to make any sacrifice or be involved in any works that would give us the eternal life we have through His work. 

The Biblical picture used is that Christ is like the husband, head of the church - the bride. It isn’t a popular picture in terms of modern feminism, but if we think back to that documentary reel I viewed, Christ doesn’t fit that pattern. He has never been condescending, arrogant or oppressive. That is not who our hero saviour is. And I don’t think he calls us to be pathetic and useless either; Grateful, gentle, trusting, submissive perhaps, but not useless. He calls us to courage and action. He tells us to submit our burdens to him and that He will be our strength.

So has post-modern feminism killed off the great hero? How does that affect our view of the need for a saviour? Can the princess really save herself? 

For me, I think I will continue to enjoy a strong, self-sacrificing, take-charge hero in the romance I read and write and keep in mind the Saviour who is all those things and more.

 ‘How Sweet The Sound’ by Meredith Resce is a fantasy story about a hero, Prince Justin, sent to the Island of Terranin to save the governor’s daughter, Christina, from the violent usurper, Lucien. It is a parable of the story of Christ the redeemer.


Meredith Resce – author of the ‘Heart of Green Valley’ series, ‘Mellington Hall’, ‘Falling for Maddie Grace’ and many other novels.

Follow Meredith Resce on her Face Book page
For more details go to her website - www.meredithresce.com 

First image is the painting Chivalry - Sir Frank Dicksee (1853-1928)

Thursday, 22 September 2016

Book Review: My Hope Next Door, by Tammy L. Gray

Review by Andrea Grigg

Newly born-again Katie Stone has returned home to help look after her sick mother, and she’s definitely not expecting a welcome party. Her relationship with her parents has never been close, but she’s come because her dad has asked her to and he must be desperate to have done it. She’s also not looking forward to seeing the old crowd, either. In fact, she’s dreading it. And with good reason, because when she does, the ramifications are every bit as bad as she’d thought they’d be.

Asher Powell is Katie’s neighbour and he can’t help but be intrigued by her. He used to go to school with Katie and he knows what she was like back then. But she’s different now, on the inside as well as the outside, and despite his attraction to her, Asher can’t possibly let her into his heart. He’s got his own set of problems to deal with. The ripple effect from the break up with his girlfriend a few months earlier is still carrying on, made worse by the fact he’s the pastor’s son, and he hasn’t been back to church since.

What follows is a beautifully realistic story of two people falling in love despite their shortcomings. And what a bunch of shortcomings they are. Katie was into everything the world could offer before she came to Christ and she battles with seeing herself as worthy to be loved, especially when her parents don’t seem to. And despite being a Christian for practically his whole life, Asher has his issues too - one that every young man faces, Christian or not - plus his anger and disappointment at how his church let him down. How can he love Katie with all that going on?

Tammy L Gray’s writing style is fabulous. I loved how the author showed me Katie and Asher layer by layer, how they became real people right from the start. I also needed to wipe the sweat from my brow because I was in a hot and humid, Georgia U.S.A. summer, not a cool Australian springtime! That’s clever writing.


My Hope Next Door would have to be one of the most real contemporary Christian romances I’ve read this year. (I don’t think I’ve ever read one with a character like Katie’s - so new to the Christian faith with an immediate past to deal with.) My Hope Next Door gets into the raw nitty-gritty of everyday Christian life, yet gives hope and encouragement and inspiration. I’ll be looking out for more books by this author for sure.

Andrea Grigg lives on the Gold Coast, Queensland, and is a writer of two contemporary Christian romance novels, ‘A Simple Mistake’ and ‘Too Pretty’. Her Christmas novella, 'All is Bright', will be released September 27 in a boxset along with five other authors, entitled, 'An Aussie Summer Christmas'.  She would love to connect with you via: 
Twitter: @andreagrigg https://twitter.com/andreagrigg
Email:    andreagrigg@live.com