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Showing posts with label fantasy fiction. Show all posts
Showing posts with label fantasy fiction. Show all posts

Monday, 6 August 2018

Exploring Genre: Steam Punk and Gaslight

by Alison Stegert



Historical Fantasy Sub-Genres: Gaslamp and Steampunk

Gaslamp (Gaslight) fantasy and steampunk are atmospheric sub-genres of fantasy that exploit historical features and foibles of the 19th century, particularly in Britain and its colonies.

A Bit of Background…


The European Enlightenment of the 17th and 18th centuries exalted Reason above all else, a focus that both ignited scientific enquiry and spawned revolutions. At the same time, the Enlightenment calcified the imagination. Two centuries of constrictive rationality created a hankering for escape and a hunger for whimsy. In other words, at the turn of the 19th century, the world was ripe for fantasy.

The Nineteenth Century




Welcome to the Romantic Era, the age of sturm und drang—intense emotion, when fairies flitted in gardens and mad scientists cooked up monsters during electrical storms. This shift of focus to emotions and intuition, myth and magic provided fodder for creatives of all types, not least writers.

The 19th century in England was a time of incredible social change. Starting in Great Britain, the Industrial Revolution (1780 – 1840) heralded a new urban lifestyle, featuring a working class, advances in trade and business, and the mechanical manufacturing. The power of steam was harnessed for transport, textiles, iron production.

The Royal Circus


A series of formidable monarchs ruled during the 19th century. George III’s chronic illness and mental health issues came to a head when his youngest daughter Amelia died in 1811. His intense grieve left him unfit to rule, so his son, the Prince of Wales, ruled as regent from 1811 - 1820 (aka, The Regency Period).

The Prince Regent made a right royal mess of things, running up debts, flagrantly spending, and generally behaving immorally. Upon his father’s death in 1820, he was crowned King George IV, dying ten years later after a prolonged illness.

His brother William IV took over, ruling for seven years, during which he did not produce a legitimate heir. His niece Alexandrina was next in line, ruling as Queen Victoria from 1837 to 1901. The British Empire grew during her long reign, and she, dour and indomitable, left an indelible mark on history.

Her son succeeded her, reigning from 1901 to 1910 as King Edward VII.

Historical Fantasy Genres


Both gaslamp/gaslight and steampunk occupy the above piece of historical real estate, Regency to Edwardian eras, but they use the space differently.

Gaslamp (or Gaslight)





Gaslamp fantasy is historical fantasy with magical possibilities. The setting is usually Regency, Victorian or Edwardian, and usually it’s placed in Britain or its (former) colonies. The name refers to the ambiance created by the gas lamps that lit the streets of the time. The nomenclature derives from the comic series Girl Genius by Kaja Foglio.

Gaslamp Hallmarks


The tropes of gaslamp differ from those of straight fantasy (e.g., Tolkien) or straight Faerie (e.g., MacDonald). Victorian times saw a spike in curiosity about the spiritual world with many people dabbling in seances and other occultic practices. These themes sometimes make their way into gaslamp fantasy. Similarly, there was a resurgence of interest in fairies and other fey creatures and folklore.

Gaslamp explores fantastical possibilities and supernatural elements, time-slip, alternative histories and parallel worlds. Its tone can range from broodingly gothic to ‘swashbucklingly’ adventurous. A librarian from the New York Public Library described gaslamp fantasy as: “Jane Austen or Charles Dickens meets Harry Potter.” It can include mystery, boarding schools, pirates, monsters, spies, and manners.

Classic Gaslamp Examples


The gaslamp classification didn’t exist at the time these works were published, but they fit. Consider:
Peter Pan and Wendy by JM Barrie – Victorian, magic, parallel worlds, magic, mythical and fey characters
Alice in Wonderland by Lewis Carroll – Victorian, magic, portal, time-slip
A Christmas Carol by Charles Dickens – Victorian, time-slip, ghosts, eerie ambiance
Dracula by Bram Stoker Victorian, mythical character, magic, eerie ambiance

Contemporary Gaslamp Examples


Jonathan Strange & Mr Norrell by Susanna Clark
The Prestige by Christopher Priest
The Golem and the Jinni by Helene Wecker
A Great and Terrible Beauty by Libba Bray
The Dark Days Club by Alison Goodman (Australian author)

Steampunk





While gaslamp plays up magical possibilities, steampunk emphasises the technological possibilities afforded by 19th-century advances in steam power. Some argue that this focus on technology pushes it more toward science-fiction than fantasy. Often the technologies are anachronistic, for example, steam-powered robots or androids; or they can be ‘retrofuturistic’, for example, a reimagining of a blimp as a family vehicle or a war machine.

The punk aspect of steampunk refers to the tone of the genre, which can be irreverent, brash and disaffected. There’s a vague or overt sense of dissatisfaction with the state of affairs, often an anachronistic callousness, and sometimes a lack of optimism about the future.

Steampunk is not only a literary genre, it’s also an aesthetic. Costumes and settings are Victorian but amped up, for example, women wearing corsets as daywear or men donning thick goggles as eyewear. Clockwork and steam engines of all sizes and descriptions abound.

Variations on a Theme


Some steampunk incorporates supernatural elements such as vampires, werewolves, and witches. Although usually set in Victorian times and generally in Britain (or its colonies), a strong off-shoot of steampunk is ‘weird west,’ usually a wild west setting with gadgets and horror elements. More recent additions to the steampunk canon include non-British settings and POC protagonists.

Image Credits: https://commons.wikimedia.org/wiki/File:1889_Verne_poster.jpg   


Classic Steampunk Examples


Consider the following works as forerunners to the steampunk genre. Again, the classification of steampunk didn’t exist at the time of these authors, but their works nonetheless fit:

Frankenstein by Mary Shelley
The Time Machine by HG Wells
Twenty-thousand Leagues Under the Sea by Jules Verne

Contemporary Examples of Steampunk


The League of Extraordinary Gentlemen by Alan Moore
Leviathan by Scott Westerfield
Etiquette & Espionage by Gail Carriger
The Tremblers by Raquel Byrnes (Christian steampunk)
Maiden of Iron: A Steampunk Fable by Edie Melson (Christian steampunk)

 Other images: Upslpash


Bio

Ali Stegert writes gaslamp fantasy adventure for children. The Temple of Lost Time, book one of The Whitherworld Chronicles trilogy, is currently in submission. Set in London’s theatre district in an alternative 19th century, cheeky theatre child Toby Fitzroy must find his long-lost father or end up in a notorious Workhouse for Wayward Children. But his search intersects with the dying, magic-addled king’s quest for the time elixirs of the mythical Temple of Lost Time and sends him to another world…

Writing gaslamp fantasy gives Alison a playground in which to indulge in her passion for Victoriana, fairy tales, and history. A former school counsellor, Alison now cares for her elderly father-in-law and writes books for children. She lives near the beach in Australia with her husband and two naughty dogs. Find out more on her blog, Spilling Ink.

Monday, 3 April 2017

Exploring Genres: Portal and Secondary World Fantasy

by Jeanette O'Hagan

This year, the cross posts between Christian Writers Downunder and Australasian Christian Writers are focussing on the subject of genre. In February, Iola Goulton gave a great overview of the importance of meeting genre expectations. Last month Adam Collings explored the subgenres of space opera and superhero within the science fiction genre. This month, I will be exploring portal fantasy and secondary world fantasy.




What is Fantasy


The fantasy genre covers a wide scope of different subgenres - from stories that include supernatural elements (like the Christmas ghosts in Charles Dickens' The Christmas Carol), talking animals (The Wind in the Willows or Beatrix's Potters' Peter Rabbit), magic and/or mythological creatures such as unicorns, centaurs, mermaids or dragons. It may occur in the past (the 'once upon of time' of most fairy tales), in our present (urban fantasy and many paranormal stories) or occur in an alternate reality (Alice in Wonderland) or an entirely different world separate from our own (like Lewis' Narnia or Tolkien's Middle Earth).

Much of children's literature includes fantastical elements. And while fantasy can be escapist, it often uses analogy and metaphor to explore genuine issues in the real world in subtle and illuminating ways. Maybe because we know this is not the world we live in, we are more willing to explore those issues without the prejudices of our own world.

With the rise of modernism, fairy tales and the fantastical was falling out of favour for a more materialistic approach to literature, especially by the mid-20th century. Arguably, it was the influence of two Christian authors that rebooted the interest in fantasy - C S Lewis with his heart-warming Narnia series and J R R Tolkien with his iconic The Hobbit and its sequel The Lord of the Rings. It just so happens that Lewis wrote a portal fantasy, Tolkien a straight secondary world fantasy.

Portal Fantasy

Sky Bridge, water colour by Jeanette O'Hagan 2016
(inspired by Rachel Sutherland)


In portal fantasy, someone from our normal world stumbles upon a 'portal' or door to an alternate reality where fantastical beings, powers and objects exist.  A classic example of a portal fantasy is Alice in Wonderland - when Alice chases the white rabbit down the rabbit hole and finds herself in Wonderland (a place that defines the laws of logic) or The Wizard of Oz (in this case the tornado becomes the portal). Similarly, in The Lion, the Witch and the Wardrobe, Lucy Pevensie hides in a old wardrobe and finds herself in the land of Narnia.

Portal fantasy has been quite popular as it allows the reader to see the strange new world through the eyes of an ordinary person. Imagine Wonderland without Alice. Alice helps the reader discover this strange, contradictory world through her eyes, through her questions, through her confusion. In a way, J K Rowling uses this technique with Harry Potter, who has been brought up in the mundane world with no knowledge of the magical. Portal fantasy keeps a tenuous link between the fantasy world and our own. It is possible to travel between the worlds, and each world may effect and shape the other. The journey to the other world often becomes a journey of self-discovery and heroism.

Some limitations of portal fantasy can its focus on the traveller to the new world than the world itself, and its often linear plot (the hero's quest to return home, for instance, as with the movie version of The Wizard of Oz), but this certainly isn't always the case. For instance, in Anne Hamilton's Daystar, the plot is more complex.

More recent portal fantasy by Australasian Christian authors include Paula Vince's Quenarden series, Anne Hamilton's Merlin's Wood and her award-winning Daystar and also A Swirl of Purple of Jessica Scoullar. One could argue that US author Ted Dekker's The Circle series is portal fantasy (the portal being Thomas' transition between waking and sleeping).

Secondary World Fantasy

Strange Visions, water colour by Jeanette O'Hagan
(inspired by Rachel Sutherland)


In secondary world fantasy, the world is that is separate or other than our own. (In a way, portal fantasy is a subset of secondary world fantasy - but there is still that connection between the two realities.) Classic examples include Tolkien's Middle Earth (The SilmarillionThe HobbitThe Lord of the Rings), Ursula Le Guin's Earthsea, Emily Rodda's Deltora Quest or Terry Pratchett's Discworld. The secondary world may be very different to our own (for instance, Discworld) or it may have stronger parallels with our known reality (Tolkien's Middle Earth). Sometimes, it's easy to trace the correspondence between the real and imagined worlds. George R R Martin's Westeros has clear echoes of Eurasia, specifically Great Britain - a popular choice also seen in Patrick Carr's Cast of Stones and John Flanagan's Ranger's Apprentice.  The TV series, Avatar: The Last Airbender and the follow-on, The Legend of Kora echoes Asian cultures (Japanese, Chinese, Tibetan and Inuit).

Good alternative world fantasy makes a strong investment in world building, with many aspects covered (geographical, cultural, political, technological, metaphysical, historical, magical). Plots and themes are often complex and/or epic in scale. They usually blend the strange and astonishing with the familiar, so that the reader has something to relate to.  Perhaps more than any other genre, secondary world fantasy can whisk us away from the ordinary world into a world of wonders. The degree of magic and the tone (uplifting, heroic or cynical, dark or satirical) varies. Westeros is a very different place than Middle Earth.

Some readers can find secondary world fantasy confusing or overwhelming. Sometimes the investment in world building and plot leave characterisation wanting  - though this is obviously not always the case when one remembers Frodo and Sam on Mount Doom, or  the narrative arcs of Ang and Zuko in Avatar: the Last Airbender.

Recent secondary world fantasy by Australasian Christian writers include The Firelight of Heaven by Lisbeth Klein, Brockwell the Brave by Jenny Woolsey, 'The Last Blood Moon' by Charis Joy Jackson,* 'Stone Bearer' by Kirsten Hart,* and my own fiction set in the world of Nardva such as Heart of the Mountain or Lakwi's Lament or 'Ruhanna's Flight'*.

* Found in Glimpses of Light anthology.

Not all fantasy contains epic battles, strange names or sword & sorcery. In fact, most people have read or watched fantasy, maybe without realising it (Peter RabbitA Christmas CarolAlice in WonderlandThe Neverending Story etc). Fantasy (like historical fiction) is a genre in which the place of religion, faith, and the supranational is not usually questioned (though religion is not always presented positively). It also has a great capacity for symbolism, of inspiring the imagination. While I can understand that some people prefer realism (of sorts), I can't help but think they are missing out on something wonderful.

***
I take a more thorough look at fantasy here and here.  This has also been posted on CWD.

Images: 1) Gate; 2) Sky Bridge & 3) Strange Visions © Jeanette O'Hagan 2017


Jeanette O’Hagan first started spinning tales in the world of Nardva at the age of eight or nine. She enjoys writing secondary world fiction, poetry, blogging and editing.

Her Nardvan stories span continents, time and cultures. They involve a mixture of courtly intrigue, adventure, romance and/or shapeshifters and magic users.
Recent publications include Heart of the Mountain: a short novellaThe Herbalist's Daughter: a short story and Lakwi's Lament: a short story. Her other short stories and poems are published in a number of anthologies including Glimpses of Light, Another Time Another Place and Like a Girl. Jeanette is also writing her Akrad’s Legacy Series—a Young Adult secondary world fantasy fiction with adventure, courtly intrigue and romantic elements.

Jeanette has practised medicine, studied communication, history, theology and a Master of Arts (Writing). She loves reading, painting, travel, catching up for coffee with friends, pondering the meaning of life and communicating God’s great love. She lives in Brisbane with her husband and children.



Find her at her Facebook Page or at Goodreads or on Amazon or on her websites  JennysThread.com or Jeanette O'Hagan Writes . if you want to stay up-to-date with latest publications and developments, sign up to Jeanette O'Hagan Writes e-mail newsletter.  


Tuesday, 6 December 2016

ACRBA Tour Heart of the Mountain by Jeanette O'Hagan


5 - 9 December 2016

is Introducing 
(By the Light Books, 1 August 2016)

By Jeanette O'Hagan



About the Book:
Twins Delvina and Retza’s greatest desire is to be accepted as prentices by their parents’ old crew when they stumble across a stranger. Trapped under the mountain, young Zadeki’s only thought is to escape home to his kin. Peril awaits all three youngsters. Will they pull apart or work together to save the underground realm?
YA Fantasy Adventure in the lost realm deep under the mountain.


About the Author:
Jeanette O’Hagan first started spinning tales in the world of Nardva at the age of nine. She enjoys writing fiction, poetry, blogging and editing.

She is writing her Akrad’s Legacy Series—a Young Adult secondary world fantasy fiction with adventure, courtly intrigue and romantic elements. Her short stories and poems are published in a number of anthologies including Glimpses of Light, Another Time Another Place and Like a Girl. She has recently published her short novella, Heart of the Mountain and, in Mixed Blessings: Genrellly Speaking anthology, also a flash fiction 'Space Junk'.

Jeanette has practised medicine, studied communication, history, theology and, more recently, a Master of Arts (writing). She is a member of several writers’ groups. She loves reading, painting, travel, catching up for coffee with friends and pondering the meaning of life.  Jeanette lives in Brisbane with her husband and children.

Sign up to Jeanette O'Hagan's Newsletter here: http://eepurl.com/bbLJKT
Website: jeanetteohagan.com/
Facebook page: https://www.facebook.com/JeanetteOHaganAuthorAndSpeaker
Twitter: @JeanetteOHagan
Instagram: @bythelightof2moons





Monday, 19 September 2016

The Genre Interview with Jeanette O'Hagan


Welcome to the Genre Interview. Brisbane author Jeanette O'Hagan has agreed to answer our questions.


What genres do you write?


Jeanette: I mainly write fantasy fiction and poetry - though I do have an interest in memoir and non-fiction - and my first and only science fiction piece has just been published in the Mixed Blessings: Genre-lly Speaking anthology.

I am currently working on a sequel to my recent release Heart of the Mountain and on a fantasy fiction series Akrad's Legacy which is secondary world, courtly intrigue with fantasy elements.



What market do you write for (Christian or general, clean reads etc)?

Jeanette: My aim is for cross-over fiction - i.e. fiction that appeals to the people outside the church with a subtle faith element.


In which genres do you have books available for sale?


Jeanette: Fantasy fiction, a contemporary inspirational women's fiction anthology, mixed anthologies and poetry.


How many books have you published in each genre?


Jeanette: I have a fantasy fiction novella sized e-book (Heart of the Mountain, published August 2016) and also fantasy short stories, a contemporary inspirational short story and a number of poems available in nine different anthologies published between December 2015 and September 2016.


Are you published traditionally, indie, or hybrid?

Jeanette: I've Indie published the short novella (Heart of the Mountain) and two anthologies - Glimpses of Light (Nola Passmore and I edited GOL & a total of 21 authors contributed) and Let the Sear Roar (Madeleine Calcutt was the editor with a total of 9 authors). These books are published under my imprint By the Light Books.

I've also had stories and poems published in other anthologies by other publishers or groups: Tied in Pink and Like a Girl by Far Horizons, Another Time Another Place by Swinburne Students, Mixed Blessings: Genre-lly Speaking by Breath of Fresh Air Press, two poetry anthologies by Poetica Christi and one by FAWQ.

Did genre influence your decision to choose a particular publishing model?

Jeanette: No, not really - more opportunity.



Are your published works available in print, ebook, or both?

Jeanette: Both - though the short novella is only available as an ebook & the three poetry anthologies are only available in print.

Why do you write what you write? Do you feel called to write?


Jeanette: I write what I love to read. I write to express my feelings and imagination. I write to celebrate my wonder in God's creation and in His love for us, His children. I write out of my love for story.

About 8 years ago, a door slammed shut on a ministry dear to my heart and, while I grieved that loss, God began whispering that He had other dreams and plans for me. Gradually, the door to writing opened as another way to express His call on my life. I learnt about and enrolled into a Masters course on Writing, I went to (what became) the Omega conference and met other Christian writers and discovered other opportunities -- to learn and to write and to be published. I do feel a calling to touch the imagination of readers and to seed a wonder and desire for God's beauty, presence and love.

I think fantasy fiction has great potential to share spirituality and Christian hope in a non-confrontational way.



Many thanks to Jeanete O'Hagan for sharing her thoughts on genre.



Jeanette O’Hagan enjoys writing fiction, poetry, blogging and editing. She is writing her Akrad’s Legacy Series—a Young Adult secondary world fantasy fiction with adventure, courtly intrigue and romantic elements. She recently launched Heart of the Mountain: a short novella. Other short stories and poems are published in a number of anthologies including Glimpses of LightAnother Time Another Place and Like a Girl.
Jeanette has practised medicine, studied communication, history, theology and, more recently, a Master of Arts (Writing). She loves reading, painting, travel, catching up for coffee with friends, pondering the meaning of life and communicating God’s great love. She lives in Brisbane with her husband and children.


You can find her at her Facebook Page or at Goodreads or on Amazon or on her websites  JennysThread.com or Jeanette O'Hagan Writes .