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Showing posts with label book covers. Show all posts
Showing posts with label book covers. Show all posts

Friday, 4 August 2017

Behind the Scenes: Cover Cues

In the past eighteen months, my understanding of the world of publishing has undergone a massive learning curve. So many things I never knew even existed have now become familiar as I’ve been stretched (and stressed!) beyond my snug little writerly world of pre-contract / pre-published days. Today I'd thought I'd share a little about some of the behind-the-scenes development of a book, particularly in regards to marketing and cover design.

For each of my books, my publisher's marketing team have sent a questionnaire about what sorts of things I would like to see incorporated into the design direction of my Regency-era novels. These questions relate to title, tone of book, elevator pitch, back cover, target audience and cover direction. Having said this, my publishers are very aware of the market where they are trying to promote my books (the US Christian market), and have years of experience in design and promotion, which means my ideas may simply remain my ideas. In addition, there are certain constraints because my books are part of a 3-book series, so particular efforts have been made to keep the style familiar for readers to identify each book as one written by Carolyn Miller’ 😀 But for each book I’ve been really pleased with the way my answers to their questions have been interpreted in the final covers.

So what are those cover related questions, I hear you ask? Have a read of the following, and consider how they might relate to your work in progress, or perhaps a recent book you’ve read.

1.     Symbols/Themes - Please list and describe any objects, visuals, Bible verses, or themes that illustrate or clarify the book’s objectives and would be appropriate for cover art.

2.     Competing Titles - Please list any books that have been published within the last two years that might compete with or target the same audience as your book and/or has cover design elements that you like (or don’t like). Paste links to covers you do/don’t like.
                                                                                                                        
3.     Cover Direction - While we can’t promise we can/will incorporate every suggestion, we do want to consider your design direction. Please feel free to share your cover suggestions.



For my first novel, The Elusive Miss Ellison, I had found an image on Pinterest I thought suited - it’s amazing what you can find when googling 
‘Regency gown’! On the right is the original image: 

In my notes in response to the above questions I wrote:
I’d really like to see the protagonist (Miss Ellison) on the front cover, dressed in a Regency-appropriate gown, walking away (face not seen), holding a basket, which alludes to her interests and her ‘elusiveness’. In the book she is depicted as slender, fair, copper-blonde hair, grey eyes, wears shapeless grey gowns (which points to her lack of vanity).

Compare the original image with the one near the top of the article -  I think the tweaks the designers did fit the brief perfectly!

For my second novel, The Captivating Lady Charlotte, I again found an image on Pinterest that I loved. I included the following in my answers to the questionnaire:
I thought I’d send a pic of the image I think best epitomises the novel. It’s proved my most repinned image on Pinterest, and to me sums up both the character description and setting…and implies big house, money, the feeling of being trapped, and pensive choice making…

 I was very fortunate for my publishers to gain the rights to use these images.



For my third novel, The Dishonorable Miss DeLancey, out in October, the designers had a bit more work to do to pull off my ideas, but still managed to create something that fitted the look of the previous two books, while also hinting something of what the novel might be about.

My comments to the designers:
I would love to see Miss DeLancey standing at a cliff top, facing the sea, while a glorious sunset gilds the sea. This alludes to several significant clifftop moments that occur in the novel, and the sunset references the global phenomena caused by the 1815 Mt Tambora eruption. It is set near Brighton, so the cliffs should look somewhat chalky...This novel is a little darker in some ways, but the depiction of light symbolizes hope…

Again, I think the designers succeeded – but maybe I’m a little biased! ;)



So, over to you. Have you thought about what you do and don’t like about covers? What images would best portray your WIP? Why?

Carolyn Miller lives in the beautiful Southern Highlands of New South Wales, Australia, with her husband and four children. Together with her husband she has pastored a church for ten years, and worked part-time as a public high school English and Learning and Support teacher.
A longtime lover of romance, especially that of Jane Austen and Georgette Heyer’s Regency era, Carolyn holds a BA in English Literature, and loves drawing readers into fictional worlds that show the truth of God’s grace in our lives. Her debut Regency The Elusive Miss Ellison released in February 2017, and her next, The Captivating Lady Charlotte released June 27, with The Dishonorable Miss Delancey releasing October 24. All are available from Amazon, Book Depository, Koorong and more.

Connect with her:        www.carolynmillerauthor.com
                                      www.pinterest.com/camillering

Monday, 18 April 2016

Peeking Under the Covers - Part 2 (plus giveaway)

By Andrea Grigg

Last week I introduced my graphic designer daughter, Melissa Dalley, and we discussed the essentials of cover design and gave reasons why it’s a good idea to employ a professional to create your book cover. If you missed it and would like to read it, please click here.
This week, I’m asking Mel questions on the subject of designing your own cover. A number of our ACW members raised some very good questions, and we’ll do our best to answer them today.
First of all, I have a question of my own.

Me: Which rookie errors stand out the most?

Mel: That’s an easy answer. Fonts and their colour choices, and balance.

Me: Okay, so could you please expand on those?

Mel: Sure. As far as fonts are concerned, don’t use what’s automatically on your computer. It’s quite limiting and it shows.

Second, make sure you know which style fits with your genre. Swirly and flirty is great for romance. There are many modern styles available for non-fiction and Young Adult (again, depending on the genre), and some great creepy styles for mysteries etc.

Third, be aware that some fonts come with copyright issues. However, you can purchase fonts for use, often between $5-$500, (similar to images), and this gives you the legal right to use them.

I mostly use myfonts.com for purchase but there are Royalty Free and free fonts all over the internet. (Be aware the free types aren’t always that great – they can be cheap-looking). The most important thing is to read all the licensing and understand what the fine print means.

As far as balance goes, the text shouldn’t be too heavily positioned on one side, nor should the imagery. Balance is also about the reader not having to turn their head to see something. Sometimes it can be an automatic reaction and we want to avoid that!
  
Me: Great advice. Now, what can you tell us about images?

Mel: Obviously, the image you use must fit your genre. I generally buy images from Shutterstock and iStock. Their imagery is licensed for use on book covers. Again, the fine print must be read.

In my opinion, Photoshop is the best software for editing imagery and Adobe Suite is the best program for designing and editing for book cover design and imagery editing. It gives you more control and helps make sure your work is up to speed for printing specs. Someone asked about Gimp, but I’m afraid I don’t know anything about it.

If you intend using a photographer for a custom photo, you need to brief him/her as you would if a designer was creating your cover. Remember to ask about their rights for reproducing and marketing their shots.

A logo is another form of imagery used on a cover. I recommend a designer to create one of these as they can be tricky, especially when used on a spine. Again, give the designer a well thought out brief, and include examples of logos you’ve seen and liked.

Me: Melissa, thank you for coming back a second time and answering more of our questions.

Mel: My pleasure!

Me: And I’m very happy to announce that Melissa has offered to design an e-book cover for one of our members for free!

To enter the draw, post the following in the comments on our ACW Facebook group, under the promotion of today’s blogpost:
1.    Provide an image of a cover you love
2.    Explain why it appeals to you, using two of the principles mentioned in the Peeking Under the Covers posts.

NB: The winner must agree to provide a stock image, and complete Mel’s questions on the design specs. Once Mel has completed the design, the winner may request up to three alterations. 

The winner will be announced on Friday on the ACW Facebook group.




Andrea Grigg is the author of two contemporary Christian romances, A Simple Mistake and Too Pretty. She loves hearing from readers and writers alike, and can be contacted via Twitter, @andreagrigg, her Facebook author page, and via email: andreagrigg(at)live(dot)com

  




Melissa Dalley has a degree in Marketing and eCommerce, and a diploma in Graphic Design and PrePress. She works as a Creative Design Manager for a well-known shopping centre group, is on the board for a charity as their marketing and creative adviser, and freelances designs for authors and small businesses. 
You may contact her via email at: melissadalley(at)live(dot)com