Recently I attended the Sydney Symphony Orchestra and
enjoyed performances of Beethoven’s 1st and 2nd piano
concertos. I was moved and delighted by the music and the talent of the performers.
As I looked down on the great range of instruments and absorbed
the creativity of Beethoven’s work, it occurred to me that there was a parallel
with writing a novel and a great lesson to take away as a writer. While the central
figure in the concerto was the pianist, who was absolutely captivating, there
were so many other instruments that played a vital part in creating the overall
impact of the music. Each piece came in at exactly the right moment to lead
into a particular movement, or to add light or dark to the unfolding experience
for the listener. Some instruments had
only a very small part to play, but added a dramatic transition or change of
pace. Some were obviously important support instruments and filled out the
character and beauty of the music. Others instruments were woven throughout the
recital, as background or accompaniment, not drawing attention to themselves,
almost unnoticed, but vital to the overall sound.
The conductor, of course, directed and held all of this
together, exquisitely interpreting Beethoven’s genius, so that the audience was
taken on a wonderful journey through quiet reflection, rousing heights of joy
or tension, delightfully pure sounds that sent tingles down my spine, then led
to a dramatic climax and a sweet conclusion.
Just as a novel ought to, I thought as I relaxed in my
seat afterwards!
How important it is that as writers we draw our readers
into a story that includes all these aspects; central characters who are captivating,
support characters who help the reader to get to know, love, anguish with and
be inspired by the main character, and who give the story depth and breadth.
Minor characters are also important, in adding light and dark, changes of pace,
transitions to new chapters. I was reminded that the role of these characters
who accompany our heroes and heroines, must be unique and special in their own
right, and must be introduced at precisely the right moment in order to carry
the story forward or to make a particular impression on the reader.
I love music, but I am definitely a listener. I have no
talent for playing an instrument or singing. Amazingly I have children and grandchildren
who are talented in both and I love to hear them singing and playing. What I
feel then is proud enjoyment. However, seeing a complete orchestra, with so
many different instruments, all playing beautifully, and all working together in
such harmony and purpose, made me feel like I’d been on a journey, been
transported into a story. I came away uplifted and refreshed, but also inspired
to reflect on the novel I’m currently
working on, in terms of the lessons the orchestra had shown me.
I hope this
gives other writers some food for thought.
www.amazon.com/author/carolpreston
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