Cashing In On Christmas

My sister arrived back in the country two days ago from where she’s currently residing in Vancouver, Canada. It’s great to have her back with us – she’s probably the person (other than my husband) who understands and ‘gets’ me most, and it’s always fun to do those things we can’t do when we’re in different countries.

One of the things we love to do is watch Christmas movies. You know, the kind they stick on TV on Christmas Day in the afternoon, that usually involve a small town, snow, and two impossibly good-looking actors-I’ve-never-heard-of who fall in love in the Christmas season. (Bonus points if small children / carol singing / midnight church service / appearance by Santa are involved!) 

I love a good Christmas movie or novel / novella as much as the next person. (Probably more!) One of my favourite novella collections was last year’s Aussie Summer Christmas Collection by a number of Australian and international authors, including ACW’s Narelle Atkins, Meredith Resce, Andrea Grigg and Rose Dee. It was great to read Christmas stories set in the sun, with the beach a predominant theme – I found these stories far more relatable than those involving snowy landscapes, and characters rugged up in puffy jackets and beanies and gloves. It’s interesting to consider just how big the market for such things is.

Christmas-themed films and novellas is a huge industry. A quick scan of my (sister’s!) books reveals more than a few, such as these Barbour novella collections: Montana Mistletoe, A Bride by Christmas, Colonial Christmas Brides, A Big Apple Christmas, Connecticut Christmas, Christmas Love at Lake Tahoe, A Biltmore Christmas, etc, etc, with more releasing all the time. Hallmark Channel is this year releasing 21 NEW Christmas movies, with their ‘Countdown to Christmas’ promise of ‘Holiday movies All Day! All Night!’

It’s enough to make me wonder why. Is it the escapism involved, the chance to see a ‘happily-ever-after’ at a time so heavily promoted to be joyous, but which (cynical me believes) is often more stressful? Is it because they often have themes of second chances, that they suggest the 'magic of Christmas' where anything is possible? Is it the opportunity, particularly for North Americans, to watch a family friendly movie when the weather outside is frightful? For my sister and me, we enjoy the vicarious cooling effect of watching snowy landscapes when it’s 30 degrees outside – and playing guess who with the impossibly good looking actors who-we’ve-never- heard-of-so-we-need-to-learn- more-via-IMDB.

Hmm. It’s enough to make an author consider adding a Christmas element just to cash in 😊

So here’s a question for you: do you enjoy reading Christmas themed films / novels / novella collections? If so, what do you enjoy about them?

Carolyn Miller lives in the beautiful Southern Highlands of New South Wales, Australia, with her husband and four children. Together with her husband she has pastored a church for ten years, and worked part-time as a public high school English and Learning and Support teacher.

A longtime lover of romance, especially that of Jane Austen and Georgette Heyer’s Regency era, Carolyn holds a BA in English Literature, and loves drawing readers into fictional worlds that show the truth of God’s grace in our lives. Her Regency novels include The Elusive Miss Ellison, The Captivating Lady Charlotte, and The Dishonorable Miss DeLancey, all available from Amazon, Book Depository, Koorong, etc

Connect with her:        www.carolynmillerauthor.com

                                     www.pinterest.com/camillering

 www.facebook.com/CarolynMillerAuthor/

 twitter.com/CarolynMAuthor

Novellas: the perfect length

by Nicki Edwards, author of heartwarming Australian romance.

Love to read but don't have time? Want to try a new author? Or a new genre? Don't have lots of money? Why not consider reading a novella?

Compared to novels, which are usually more than 40,000 words, a novella is between 17,000 and 40,000 words, with an average length of 25,000 words, making them the perfect length for busy people who like to read a book in one or two sittings. Or perfect if you're wondering if you'd like a particular author's 'voice' or style. And of course, the fact most novellas are usually 99 cents or less makes them a super affordable way of reading.

When I started writing, I'd never heard of a novella but once I discovered them, I found how much I love reading them because I'm so time-poor. I then decided to try my hand at writing one.

Operation White Christmas came out last year to great reviews (and was the winner of the Romance Writers of Australia Contemporary Romance Cover of the Year).

I loved the experience so much that a few months ago I wrote a second novella, Operation Mistletoe Magic, which comes out at the end of October. 

In case you're not sure what a novella is, it is basically a short book. It involves multiple characters and multiple twists and turns but due to the constraints in length, there are often fewer conflicts than in a full length novel with the focus being on the main character's personal and emotional journey rather than an in-depth story line with lots of sub-plots.

For example, when writing a romance novella, the author has to get to point quickly, which means the hero and heroine have to interact quickly, usually from the opening chapter. That can have issues when it comes to sweet romance which generally develops over a longer period of time. 

I got around this problem in different ways in my novellas. In my first story, Hollie and Jim meet literally by accident on the side of the road and due to circumstances, end up getting to know each other. In my second novella, Melissa and Chris are childhood best friends who meet up again unexpectedly and rekindle their friendship which slowly develops into a romance.

There are positives and negatives about novellas for both readers and writers.

As an author, I love the way I can contain the entire story in my head and get it written in a short time frame. (Operation Mistletoe Magic only took me six days to get the first draft down.) And of course a shorter story meant my awesome critique partner Andrea Grigg could get it back to me quickly and edits didn't take as long. But I missed being able to really explore the characterization and have more in depth sub-plots to the story. 

From a reader's perspective, one of the negatives of novellas is the stories are too short but I take that as a good thing when readers complain the story ended too soon and they want to know what happens next. I have received so many emails from readers asking me to write a full length story for Hollie and Jim. 

Because of that, I'm contemplating writing some short stories or novelettes next year that tie in with the characters from my Christmas novellas so that readers can catch up on the happy ever after endings of my characters and find out what happens after the stories ended.
Another big negative of the novella is that they're only available in e-book format. One day I hope to bundle my novellas together and have them available in a paperback version.

By far it seems Christmas novellas are the most popular. These stories are usually set in North America (such as mine, which are both set in Canada), but recently four Aussie Christian authors (Narelle Atkins, Rose Dee, Andrea Grigg and Meredith Resce) collaborated with two international authors to write Christmas novellas for a box set that is set in Australia with a very Aussie Christmas flavor. 

I urge you to check them out as I've had the privilege of reading some of them and they are very, very good. Of course my favourite is Andrea's, but perhaps I'm biased!

Their Christmas box set, An Aussie Summer Christmas is available to pre order now and will be released on September 27th. My novella, Operation Mistletoe Magic is also available to pre-order and will be released on October 25th.

A word of caution, many authors are now publishing their novellas in multiple box sets so be careful you don't end up buying the same books twice!

What do you like to read the most?

•  Short-Stories

•  Novelettes

•  Novellas

•  Novels

Nicki Edwards writes contemporary medical/rural romance and women's fiction for Pan Macmillan. When she isn’t reading, writing or dreaming about rural life and medical emergencies, she can be found working as a Critical Care Nurse where many of her stories and characters are imagined.

Nicki and her husband Tim reside in Geelong with their four teenage/young adult children where Tim is in full time ministry. 

I come from the land Down Under...PLUS a GIVEAWAY

Thongs, barbies and vegemite sandwiches

This week, after seeing a post on a fellow author’s Facebook wall, I posted the same photo and a question of my own."What do you call these?"

After reviewing the 120+ comments, the results of the survey are in and it’s probably hardly surprising that it's almost a tie between thongs and flip flops.

Here’s some other terms you may have never heard of:

• Jandals (we can thank our New Zealand friends for that)
• Bongers (yes really)
• Slippas (in Hawaii apparently)
• Double pluggers (only one vote for that name)
• Havianas (brand name, often used by younger people)
• Chinese Safety boots (my favourite)

The comments were quite fascinating and got me thinking. As an Aussie author writing Australian stories set in Australia, why do I use American spelling and American terms? It’s a question I’ve been asked a lot.

It’s a good question. And a question which even brought some good debate on my Facebook post.

When I started writing, I was adamant I wasn’t going to use ANY American spelling EVER. But I heard horror stories of writers being picked up for their incorrect grammar and spelling and given 1 star ratings by American readers. I’m not sure if that is true, but I didn’t want to put myself in that position so when my publisher told me to use American spelling, I happily obliged.

So, why are some of us writing for an American audience in terms of our spelling and grammar?

One person commented on my post (and I agree with her), hopefully American readers are smart enough to know that we spell words differently. But unfortunately not all readers do know that. It seems our language, our spelling and our Aussie-isms can be confusing to other readers. 

So what do we do? Do we write two different versions of our books? One for Aussie readers and one for the Americans? That doesn’t make sense to me.

My books have taken a bit of a hybrid approach. Momentum, my publisher, made the choice to use American spelling and grammar and I don’t have a say in that. I do, however have a say in some words that are just glaringly American. For instance, there are no cell phones, no trash cans, no counters and no pickup trucks. Instead I was allowed to keep ‘phone’, ‘rubbish bin’, ‘bench’ and ‘ute’. (That was a hard one to get past my editor who kept trying to at least get me to agree to go with 4WD).

I am currently editing Life Support, book 3 in the Escape to the Country series (my Australian medical-rural romances), coming out in February 2016 and I’ve just found a small problem.

Here's an excerpt:

"Emma fired questions at him, trying to gain vital information about his medical history. He met every question with the same answer. “You’ll have to ask my wife.”

“Sats seventy-eight percent on room air. Heart rate fifty.” Cath reached with one hand for Jeff’s pulse while with the other she grabbed an oxygen mask out of a box attached to the wall. “Pulse is thready.”

“Blood pressure?”

“One-ninety-five on seventy.”

Cath attached the oxygen tubing to the nipple on the wall and slipped the mask over Jeff’s face. Shoving her stethoscope in her ears, she listened to Jeff’s chest, her face serious. With one hand, she yanked off her stethoscope and glanced at Emma. “Decreased air entry. Widespread crackles to the bases.”

“You think APO?” Emma asked.

Cath nodded and pulled a face. “I’d say so.”

Acute Pulmonary Edema. Not good. Emma wiped sweaty palms down the front of her scrubs as she stared at the green lines tracing across the screen on the ECG machine.

“Hold still Jeff,” she instructed.

Seconds later she stabbed at the button on the machine and waited for it to spew out the printed page. She stared at it for a second then sucked in her breath before handing it to Cath. Cath’s eyes widened to the size of dinner plates. Neither nurse needed a cardiologist to interpret the squiggles running across the red graph paper. The waveform wasn’t called a “tombstone” for no reason. As well as being in APO, it looked like Jeff was having a STEMI – an ST-elevation myocardial infarct – a heart attack – right in front of their eyes."

And here’s the problem: in Australia we spell oedma with an “O’. (Hence, APO – Acute Pulmonary Oedema.) But if we use American spelling, oedema becomes edema and it doesn’t work with my dialogue. So, what should I do?

In my Christmas novella, Operation White Christmas which comes out on the 17^th December, I’ve used both Australian and American spelling because I have an Aussie heroine and a Canadian hero. When I’m in my Aussie POV, I use the Australian spelling and Australian terms, and I use the American spelling and American terms for my Canadian’s POV. I did it that way intuitively when I wrote the book and my editor liked it as a concept so we’ve stuck with it. I’ll be interested to know if anyone even notices!

On a side note, I sent the manuscript to a Canadian friend and she tweaked a few things that sounded American instead of Canadian. One of them was the word tuque instead of beanie. I stuck with beanie!

So, readers and writers, what are your thoughts? Is our lingo as clear as mud or not? If we allow America to take over our English language, will we cark it?

You tell me. Are you going to carry on like a pork chop, get aggro and scream blue murder that by jingoes we'd better stick to fair dinkum true blue Aussie spelling? Are you going to insist we use every opportunity to educate Americans (and others) about blowies and bathers and barbies and brass monkeys?

OR, are you going to shut your gob, stop grizzling and realise (or realize) words are just words and at the end of the day we’re all speaking the same language?

My advice this Chrissy is don’t be a misery guts, don't be a party pooper and definitely DON’T chuck another shrimp on the barbie (or you’ll make a galah of yourself). 

But DO get yourself the best possie, grab a cuppa and a vegemite sandwich or smear some dead horse on your snag, sit down and prepare to enjoy a little escape to the country in Operation White Christmas.

I reckon it’s a bonza book and you won’t have to lash out and pay much as it’s just 99 cents. Pretty much mate’s rates right there, no worries about it. And at that price, I won’t be making a quid I can assure you.

If you’re looking for other ridgie didge Aussie stories, you might like my first two books Intensive Care and Emergency Response – I’m not pussy footing around when I tell you they’re great!

 

Hope I’ve rattled your cage today and you don’t have a go at me for my shonky blog post. And if I’ve created a bit of a ruckus, then my response is “You beauty! What a ripper”. 

Purchase links for my books can be found here!

While you're on my website, please sign up for my newsletter for a chance to win this gorgeous necklace that Jim gave Hollie.

And of course, don't forget to leave a comment here, even if it's just to say G'day!

The best reply(s) will win a e-copy of one of my books (your choice!).