Blurb
One final cry…“God almighty, help us!” and suddenly her world shifted
violently, until a blinding collision scattered her mind and shook her bones.
Then, the pain. The freezing water. And as all sensation drifted away, a hand
reached for hers, before all faded into darkness…
Now she has awakened as though from some strange, suffocating dream in a warm and welcoming room she has never seen before, and tended to by kind, unfamiliar faces. But not all has been swept away. She recalls fragments of the accident. She remembers a baby. And a ring on her finger reminds her of a lie. But most of all, there is a secret. And in this house of strangers she can trust no one but herself to keep it.
Now she has awakened as though from some strange, suffocating dream in a warm and welcoming room she has never seen before, and tended to by kind, unfamiliar faces. But not all has been swept away. She recalls fragments of the accident. She remembers a baby. And a ring on her finger reminds her of a lie. But most of all, there is a secret. And in this house of strangers she can trust no one but herself to keep it.
My review
I found this
story less of the mystery suggested by the blurb and more of a love story with
a twist. When former Lady’s companion, Hannah Rogers, finds herself in a sad
and desperate position, she appeals to her former employer for help. Because it
suits her own plans, Lady Marianna Mayfield takes Hannah on as a travelling
companion. The journey they go on, however, does not end as Lady Marianna had
hoped, and Hannah finds herself engulfed in an intriguing situation, one which has
the potential to take her life in a very dangerous direction, or open up the possibility
of a new beginning for her.
Set in North
Devon, England, in the early 1800s, the story has all the quaint and engaging historical
characteristics that make period novels enjoyable. I particularly liked the
female characters. Hannah is a ‘not too good to be true’ heroine, and Lady
Marianna is a well portrayed self-centred woman of her day. The simple
innocence of Becky, Hannah’s helper, is very engaging and adds an element of potential
undoing of Hannah’s hopes, which provides ongoing suspense to the story. Some
of the male characters; Sir John (Lady Marianna’s spouse), Anthony Fontaine (her
lover) and James Lowden, (Sir John’s solicitor), I found a little less
believable. Their motivations and intentions seemed a bit convoluted and I felt
their characters were less well developed in the writing. I thought the real
hero in this novel was the kindly Dr Parrish, who, while having no romantic role
in the story, has a depth of character which is believable and endearing.
The intrigue
and pace of the story was clever, with lots of twists and turns. The plot kept
me wondering and turning the pages. There is a fairy tale ending which will
please lovers of romance novels, even though the path to it is quite tortuous
and in the end a little too neat.
Carol writes historical novels based on her family ancestry
in Australia from the First Fleet. They include the Turning the Tide series;
Mary’s Guardian, Charlotte’s Angel, Tangled Secrets and Truly Free. Her earlier
novels Suzannah’s Gold and Rebecca’s Dream have been re-released by EBP. Her
new novel, Next of Kin, was released by Rhiza Press this year. You can see more
about Carol and her novels on her website
www.amazon.com/author/carolpreston
I haven't read Lady Maybe (yet).
ReplyDeleteOne thing I noticed is that the publisher is Berkley, not one of the Christian publishers. How did you find the faith elements in Lady Maybe? Is it Christian fiction, or "wholesome" Regency romance?
I wouldn't call this Christian fiction. Perhaps not even particularly wholesome because there was a fair amount of deceit. It certainly wasn't offensive but I struggled to like or identify with the main female characters and they were not portrayed as Godly.
DeleteThanks for the review, Carol.
ReplyDeleteI've read several other Julie Klassen novels, but not Lady Maybe. I've read other reviews which sound similar to yours, especially regarding the men in the novel.