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Showing posts with label Speculative fiction. Show all posts
Showing posts with label Speculative fiction. Show all posts

Thursday, 12 April 2018

Book Review: The Man He Never Was by James L. Rubart



Review by Ian Acheson

BLURB

What if You Woke up One Morning and the Darkest Parts of Yourself Were Gone?
Toren Daniels vanished eight months back, and his wife and kids have moved on—with more than a little relief. Toren was a good man but carried a raging temper that often exploded without warning. So when he shows up on their doorstep out of the blue, they’re shocked to see him alive. But more shocked to see he’s changed. Radically.
His anger is gone. He’s oddly patient. Kind. Fun. The man he always wanted to be. Toren has no clue where he’s been but knows he’s been utterly transformed. He focuses on three things: Finding out where he’s been. Finding out how it happened. And winning back his family.
But then shards of his old self start to rise from deep inside—like the man kicked out of the NFL for his fury—and Toren must face the supreme battle of his life.
In this fresh take on the classic Dr. Jekyll and Mr. Hyde, James L. Rubart explores the war between the good and evil within each of us—and one man’s only chance to overcome the greatest divide of the soul.
REVIEW

Toren Daniels wakes up in a strange hotel. Alone and without any possessions. And short term memory loss.

But he remembers he's married, with 2 kids and where he lives. So he goes home, only to discover he's been gone 8 months, presumed dead. His family are shocked by his reappearance as they've moved on. And don't want him to come back home.

Very quickly he remembers why. Well bits of it anyway. Enough to know he'd made their lives hell since being kicked out of the NFL for anger management issues. He's determined to discover where he's been for the past 8 months and why all of a sudden he seems to have a handle on his anger. And why is an old school 'friend' he hasn't seen in 20-odd years suddenly reappeared in his life?

Using the timeless theme of the Stevenson classic story: Dr Jekyll and Mr Hyde as background Rubart weaves a wonderful tale of self-discovery of exploring the good and evil within each of us. And how we can claim victory over the evil or Mr Hyde-part of our personality.

I so enjoyed how Rubart addressed the theme in story. This is powerful story-telling and be great to see more novels fowling a similar bent of exploring how the Holy Spirit can indeed transform us from the inside out. The fruit of the Spirit of Galatians 2:22-23 is indeed available to us but only through the transforming work of the Holy Spirit as Romans 12:2 outlines.

Like all Rubart novels there's a bit of supernatural activity that can appear a little weird and out of place, however, in the context of the transformative power of the Holy Spirit he probably didn't have any other choice in being able to show the change in Toren's personality in such a short period of time. Something drastic did have to occur. In reality, it's unlikely that engrained habits can be transformed in such a short period of time. But, hey, this is fiction.

Toren and his estranged wife, Sloane, were excellent characters. There were some tremendous scenes featuring the two of them that showed the juxtaposition between what they once had, their current state and the possibility of a new improved version.

As an aside, I was reading this novel while I was on a 5 day retreat where I was studying and practicing models of personal transformation and it was fabulous to read something fictional that demonstrated the power of transformation. I'm sure this was part of the reason I so enjoyed the story and in particular, the themes Rubart addresses in it.

Very highly recommended.


Ian Acheson is an author and strategy consultant based in Sydney. Ian's first novel of speculative fiction, Angelguard was recognised with the 2014 Selah Award for Speculative Fiction.You can find more about Angelguard at Ian's website, on his author Facebook page and Twitter

Monday, 5 March 2018

Genre Trends

by Jeanette O'Hagan

Over the last year (2017), our CWD/ACW posts have explored different genres. We have just scratched the surface and will be looking at more genres in the coming months.  However, last year Ian Acheson suggested we look at current genre trends for 2017.



Why Worry about Genre Trends?


What difference does this make? Some genres tend to be more popular. Romance is generally big, and also thrillers, mystery and crime as well as science fiction and fantasy and children’s picture books. In non-fiction, cookbooks, self-help, biographies might be popular. In recent years, there have growing trends for Young Adult and Graphic Novels. On the other hand, literary fiction may have a more limited, perhaps refined audience whereas poetry – once the Queen of literature – is often hard to sell.

And different sub-genres – Amish or paranormal romance or dystopias or Nordic noir or solar punk - may be all the rage -- often on the back of a popular block buster (Twilight, Hunger Games, the Girl with the Dragon Tattoo) or ongoing trend (like Amish). Or, perhaps the once favourite genre is already passé.

Of course, trending could mean either what readers buying/reading OR what agents and publishers looking for/accepting. It stands to reason that what readers want and what agents and publishers are looking for are the same thing – but not always. For instance, publishers may choose more literary titles or have particular biases and interests. And there are often big differences between what sells from the big publishing houses compared to the big sellers for Indie authors.

 Knowing which genres are trending may help in choosing or refining our target audience and the genre we write in.  Writing to a popular genre or sub-genre can make a difference to how many readers and royalties we garner. If you have more than one potential project, knowing the trends may help choose which to write next. Or maybe we can tweak what we are already writing to appeal to a specific audience. 



Even so, there is often a niche audience for most sub-genres, even obscure ones. Besides, a trend may be on its way out of a saturated market by the time it takes to write our book and get it published. And predictions are just that – predictions – at best educated guesses based on current trends, at worst just plain wrong.

Besides, there may be good reasons why you don’t want to write a particular genre or sub-genre, no matter how hot it currently is. It’s better to write what you are passionate about, than to slog out a book in a genre you hate because it sells (readers will notice). 

So, what are the trends?

In General



In A D Hurley’s 2017 report on Amazon sells, Romance took 66% of books, with 87% of the top 100 selling slots. Other top-selling genres go to Sci-Fi/Fantasy, Non-Fiction, Mystery/Suspense/Thriller, Children’s, and Literary Fiction, respectively. Whereas, for the Big 5 publishers literary fiction heads the list, then 2. Mystery/Suspense/Thriller, 3. Children’s, 4. Non-Fiction, 5. Science Fiction/Fantasy and 6. Romance.  Small press publishers might have their own preferences and specialities.

Within the broader categories, some subgenres are trending.  Hurley reports (2017) ‘LGBT books have seen a 200% increase, comic books and graphic novels — an 119% bump, and Teen and YA novels are on a 63% rise.’ 



Dena of Batch of Books suggests that YA & Children’s books with diversity (people of colour, disability, woman and LGBT), unique or strong woman characters, humour and ‘love, hope and dreams’ will do well in 2018  Other pundits suggest an increase in mystery books. While some suggest, in contrast to the pessimistic dystopian books, the optimist Solar Punk is making its mark.

Other areas that is growing, according to Lauren Wise, are novellas, anthologies, and co-authoring and book bundles. In part as marketing strategies for authors, but also because shorter fiction is easier to publish as an e-book, and readers often have less time and appreciate shorter reads.

Some of these trends provides a challenge for Christian authors, but also an opportunity.

Christian Books


Non-fiction (Bibles, devotionals, Christian living and biographies) probably dominate the Christian market. How do genre trends translate into Christian Fiction?

USA


Traditionally, in the USA, Christian fiction has been driven by romance, historical and biblical fiction – with a strong emphasis on Amish and bonnet fiction. 

For 2018, Publisher Weekly reports that some suggest Amish is waning, while others feel it is still going strong and that there may be a trend toward romantic suspense. Speculative fiction and mystery have struggled with CBA though there has been a trend for cross-over and edgier fiction with small press – such as Gilead’s acquisition of Enclave and expansive publishing model -- and a move to more realistic fiction that addresses difficult issues with some publishers.  (See also this.)



Australasia


The Australian and New Zealand markets are much smaller, especially in Christian fiction and non-fiction with limited publication opportunities and difficulty competing with big titles from across the Pacific.

Christian readers downunder often favour more realistic, maybe edgier, fiction than the America market. Once again, romance is a major player, though Rhiza Press publishes a range of genres, and Stone Table Books is actively looking for speculative fiction. Perhaps mystery and (non-romantic) thrillers are underrepresented.

The Future



Whatever the trends, God holds the future. And while it’s in some ways harder than it was a few decades ago, there are different opportunities as well. Part of our challenge is to respond the heart cries of the world with the grace and hope of the gospel - whether explicitly or implicitly. 

So over to you – What trends would you predict for 2018? What’s your favourite genre or sub-genre to write or to read? And what’s the strangest genre you’ve come across?

ACW/CWD Cross post.

***


Jeanette started spinning tales in the world of Nardva at the age of eight or nine. She enjoys writing secondary world fiction, poetry, blogging and editing. Her Nardvan stories span continents, time and cultures. They involve a mixture of courtly intrigue, adventure, romance and/or shapeshifters and magic users. She has published numerous short stories, poems, two novellas and her debut novel, Akrad's Children. Find her on Facebook or at her webpages Jeanette O'Hagan Writes or Jenny's Thread.








Monday, 4 December 2017

Exploring Genre 2017

by Jeanette O'Hagan



This year, the cross posts between Christian Writers Downunder and Australasian Christian Writers are focusing on genre. I've found it an interesting series and some more in depth look at different sub-genres in more depth. So just to recap -

Why Genre?


Iola Goulton started off the year asking the question - why genre?  She reminded us that genre's are useful for managing reader expectations and in helping to target promotion and marketing.

Then over the next several months we've looked at specific subgenres - or some broader categories - in fiction, non-fiction and poetry.

Fiction


Fiction has a number of broad categories such as romance, speculative fiction (science fiction and fantasy), crime and detective fiction, historical dramas, thrillers, military, women's fiction and literary - among others.  Fiction can also be aimed at children (picture books, chapter books, middle-grade), young adult (teens), new adults (teen-early twenties) or adults.

Romance




While romance can often be a subplot or theme in a range of other genres, in category romance the focus is on the relationship and the obstacles to a romantic relationship between the hero and heroine or romantic couple.  Category romance is hugely popular and generally has some firm expectations. It can also range from sweet to steamy (or blend into erotica, which is really another category).

There are a wide range of sub-genres with romance.

Carolyn Miller introduced us to historical romance (romance set before the present day) and in particular regency romance - romance inspired by Jane Austen and set in or around the regency period - eg. early 19th century.  You can find her delightful post here.

Nicky Edwards took us on a tour of rural romance (set in the country) and medical romance (with nurses or doctors as protagonists and which includes medical drama), usually set in contemporary times. You can read more here.

Speculative Fiction




Speculative Fiction images a different reality - whether that be a variation of earth as we know it or different world altogether. It is generally divided into Science Fiction (where science or a imagined science explains the world) or Fantasy (in which a non-scientific - often super-natural - explanation is given), though these can cross-overs such as science fantasy and mixtures. There is easily over 100 sub-genres within this field - including crazy mash-ups like gaslamp fantasy or weird west.

Adam Collings  introduced us to Space Opera - epic Science Fiction set in space with a focus more on the story than a detailed or hard science - think Star Trek or Doctor Who.  And, also the Superhero sub-genre which can used a scientific (Superman) or a supernatural (eg Thor) explanation for the special powers.  Read more here.

Jeanette O'Hagan introduced Secondary World and Portal fantasies - both of which are set on an alternative (non-earth) world. In the first the world exists without reference to earth, whereas in the second, the protagonist travels through a door or portal to the other world. Read more here.

Ian Acheson introduced us to Supernatural Fiction - which focuses on supernatural beings such angels, demons and/or ghosts (and is related to paranormal and urban fantasy). It can have a faith or Christina focus or be more 'secular' in its approach. Read more here.

Shorts


We also looked at 'short fiction' from flash to novellas (though it could also be non-fiction). Read more here.

Poetry




Poetry can be non-fiction or fiction, it can be strongly narrative (ballads, for instance) or focus on a moment or a feeling or be metaphorical.

Valerie Volk gave a wonderful introduction to Poetry (here)  while the following week we explored Free Verse (poetry without a set rhyme) and Verse Novels (telling a narrative in verse)  (read more here).

Non-Fiction


And finally, Nola Passmore introduced us to creative non-fiction (and how that differs from reportage). Read more here.


It can be tempting to see genre as a straitjacket or a way of pigeon-holing our fiction.  It can be seen as restrictive or reducing writing to formula (the HEA, the red herrings and clues, etc).  Some genres have stricter guidelines  - the category romance, the cozy mystery - while others almost by their nature tend to push the boundaries  or like cross-overs with a meld of different genres (speculative fiction, Young Adult).

Writing within a genre still allows amazing variety and ingenuity, especially when there are so many.

ACW & CWD are thinking of extending this dip into genres and subgenres next year. With that in mind,

Have  your found the series helpful? How?
What did you learn (if anything)?
And are there any particular genres you'd love to find more about?

List of posts (chronological order)

Genre  
Creative Non-Fiction

Spaceship image courtesy of digitalart at FreeDigitalPhotos.net
Cover Image Valerie Volk  In Due Season
Other images copyright Jeanette O'Hagan

...............


Jeanette started spinning tales in the world of Nardva at the age of eight or nine. She enjoys writing secondary world fiction, poetry, blogging and editing. Her Nardvan stories span continents, time and cultures. They involve a mixture of courtly intrigue, adventure, romance and/or shapeshifters and magic users. She has published numerous short stories, poems, two novellas and her debut novel, Akrad's Children. Find her on Facebook or at her webpages Jeanette O'Hagan Writes or Jenny's Thread.

Monday, 4 September 2017

Exploring Genre - Supernatural Fiction (A Cross-over post with CWD)

By Ian Acheson
This year, the cross posts between Christian Writers Downunder and Australasian Christian Writers are focusing on genre. So far, we’ve had posts on meeting genre expectations, in Space Opera and Superheroes, Portal Fantasy and Secondary World Fantasy, Poetry, Free Verse and Verse Novels Regency and Historical Romance and Rural and Medical Romance 

Today I’m looking at the Supernatural Fiction sub-genre and will also reference Speculative Fiction together and Paranormal Fiction.

Supernatural fiction. What is it you ask? Let’s look at a few definitions. 

It is often included in the “speculative” catchall that features in many places, whether it is award programs (eg, ACFW) to certain publishers that focus entirely on novels that “explore the boundaries of the imagination” to borrow from Marcher Lord Press now rebranded Enclave Publishing. We even have a publisher down under in New Zealand that specialises in such fiction: Grace Bridges’ Splashdown Books

It’s pleasing to know that the world’s largest Christian publisher, Thomas Nelson, has it’s own supernatural fiction category. It is the home of some of the biggest authors of the genre: Ted Dekker, Jim Rubart and Erin Healy to name just three, all of whom happen to be particular favorities of mine.

Back to the definition. In its most basic form it is simply that the story contains elements that are outside the laws of the physical world. The story typically involves a power that goes beyond natural forces and is attributed to a god or deity. The ghost story is the archetypal supernatural story. However, some commentators would treat a ghost story as “paranormal fiction.” There’s a big overlap in all these genres and sub-genres of weirdness. Angels and demons fit in the supernatural while vampires, werewolves, zombies are probably classified as paranormal. Paranormal would also include extraterrestrial life (think ET, Independence Day), UFOs, etc.

In the past decade or so we’ve seen an explosion in secular artforms showcasing all this weirdness. Whether it’s the Twilight novels and movies to The Walking Dead graphic novels and TV series plus the many spin-offs where other worlds are portrayed that typically collide with our physical world in the shape of creatures including vampires, fairies, werewolves, zombies and such like.

Increasingly we’re finding Christian authors are exploring some of these boundaries with an uptake in horror novels and even the undead. I don’t read such novels but having spoken to readers who do, they have indicated these stories explore how God triumphs over Satan in his various evil guises.

Supernatural Faith

Our faith is a supernatural one. We believe in God who exists outside of our physical world. The Bible is a supernatural book and we’re participants in a spiritual war whether we like it or not. There is another world that exists all around us. In fact, it continually intersects with what we experience with our five senses. It is in the intersection where supernatural fiction typically resides. 

I think we’d all be familiar with Frank Peretti’s Darkness duo of novels (“This Present Darkness” and “Piercing the Darkness”) that had such an influence over our generation of Christian readers. Certainly there were other novels before Peretti that portrayed supernatural themes but these two are famous for their demonstration of a parallel world of angels and demons being influenced and influencing what occurs in the physical world.

When I chat with readers who are passionate about such novels, I find three recurring themes.

1. An interest in the unfamiliar

This is perhaps a key difference to romance novels where certain underlying central themes can be familiar to the reader. Spiritual warfare, a particular personal area of interest, is often not something we hear or read much about. It’s rarely a topic of discussion around the dinner table, catch up with friends nor is it often preached about in some churches.

2. Triumph over evil

Most supernatural novels will feature a strong theme of good versus evil. This can take many forms whether it’s the direct influence of a demon on a human, or villains allowing their fleshly desires to guide their actions. In evil being defeated, the reader is able to witness an expression of God’s incredible love for His creation.

3. Strengthens their faith

This third element can be applied to any genre where we see faithfulness, forgiveness, grace or any number of God’s attributes on display. We close the book with hope in our heart having been reminded of God’s awesomeness.

Writing Christian fiction that’s not preachy is especially challenging. One of the advantages I believe speculative fiction has over other genres is that it is ‘easier’ to introduce a Christian theme by using an otherworldly character, for example, an angel or demon, or a human with a special supernatural gift, or a story that is set on a completely different world/realm/time continuum.

Realm Makers Conference 

Just as the secular world has its Comic Con gigs a group of Christian authors created Realm Makers a few years ago and now host an annual conference. It was recently held in Reno in late July and I understand over 200 people attended to listen to the likes of Dekker, Rubart, Mary Weber and David Farland to name just a few. I’m hoping to get to it next year. 

Recent examples of Supernatural Fiction

I’m always looking for good supernatural and speculation fiction. Craig Parshall’s new Trevor Black Series is a good one that combines the grittiness of crime drama with supernatural suspense. 

I’m a big fan of the Harbinger novella series. It’s now finished having produced 20 novellas written by 5 authors: Bill Myers, Peretti, Angie Hunt, Alton Gansky and Jeff Gerke. Clever story, form of creation and distribution. We’ll see more of this multi-author style of story in the years to come.

If you haven’t sampled any supernatural fiction recently or ever may I encourage you to put a toe in the water. Perhaps start with one of the Darkness novels, which I mentioned above, or one of Jim Rubart’s. Jim’s latest, The Long Journey to Jake Palmer, is superb and was my favourite novel of 2016. You won’t be disappointed and who knows, you may become a convert.




Ian Acheson is an author and strategy consultant based in Sydney. Ian's first novel of speculative fiction, Angelguard, is available in the US, UK, Canada and Australia. Angelguard was recognised with the 2014 Selah Award for Speculative Fiction.You can find more about Angelguard at Ian's website, on his author Facebook page and Twitter

Thursday, 23 March 2017

Book Review: The Occupied by Craig Parshall

The Blurb
From New York Times bestselling author Craig Parshall comes a riveting story of supernatural suspense.

As a youth, Trevor Black unleashed spiritual forces he couldn’t comprehend. Years later, Trevor is a high-flying criminal defense lawyer in New York City, with a six-figure Aston Martin and a trophy wife. But in an extraordinary turn of events, he receives a burdensome gift: the ability to perceive the invisible. And the dark forces he now sees are all gunning for him.

When one of Trevor’s hometown friends is murdered, the MO is eerily similar to a shocking trail of murders that have already crossed the lawyer’s path. So Trevor must return home to find the killer. . . and face not only his own personal demons, but supernatural ones as well.
My Review
Trevor Black is a highflying criminal defence lawyer in New York. And he gets to defend people who have committed some heinous acts.

Through a series of circumstances Black's life is turned upside down. He loses his job, his marriage and his NYC lifestyle. And then he finds God.

Told in first person across three sections: The Flesh, The World and The Devil, we see Black's life from when he was a kid through to his high-flying days and finally to being chased by evil which takes him back to where it all began: his home town. Evil chases Black in the form of a series of copycat murders that lead him from NYC to his hometown and draw him into a web of small town politics and satanic rituals.

This is a classic detective story but with a supernatural add-on. Black along the way develops the gift of seeing the demonic in people. Parshall does an excellent job revealing the thin veil between the natural and supernatural worlds. And he has a vivid imagination in creating some fabulously scary demonic creatures.

I liked Trevor Black and there's good development in his character through this story. It's a challenge for an author to write in first person as the entire story is told from the eyes of the one person. But Parshall does this really well and it adds to the feel of it being a classic detective story, which are often shown from the eyes of the detective.

Black develops a romantic interest that adds to the story and the lady in question Ashley is another excellent well rounded character who struggles with anxiety. I hope we see more of Ashley in the next story.

This is the first Parshall novel I've read and I'm excited about reading the second book in the series.




Ian Acheson is an author and strategy consultant based in Northern Sydney. Ian's first novel of speculative fiction, Angelguard, is available in the US, UK, Canada and Australia. Angelguard was recognised with the 2014 Selah Award for Speculative Fiction.You can find more about Angelguard at Ian's website, on his author Facebook page and Twitter

Wednesday, 8 March 2017

New Genre Delights

Photo courtesy of super trooper/
FreeDigitalPhotos.net
Contest season is very much upon us and the majority of my fiction reading for the next six months will be consumed by judging entries in various competitions both local and abroad.

One of the reasons I especially love judging is I get “forced” to read stories that I wouldn’t normally read. I typically judge speculative fiction but this is such a catch-all for all sorts of different flavours, two of which: space opera and superhero, Adam Collings covered in Monday’s post. Accordingly, I’m presented with a variety of stories that I wouldn’t typically read.

Read in your genre

This is the old chestnut we’re all familiar with. And for obvious reasons it makes a lot of sense to do so and for many years I found myself only reading in the genres of speculative and thriller/suspense because that’s what I write. However, my flavour of speculative was narrow (supernatural angels and demons) and so I limited myself to such novels.

Certainly there are some flavours of speculative I struggle with, for example, horror and will choose not to read it. But I’ve had the privilege of reading some real beauties. For example, Patrick Carr’s writing is excellent and Billy Coffey has such a unique Southern voice plus a tremendous insight into small town spiritual good and evil.

Sample other delights

Over the past few years both through judging and developing friendships in the industry I’ve spent much of my non-judging half-year reading outside the speculative genre.

History has now become a keen interest. Having not studied a lot of it through my schooling years I’ve always felt a gap in my knowledge with all things historical. Strangely though, like many of us, I grew up devouring 18th and 19th century classical literature.

Novels with an historical bent have grabbed my interest. Biblical fiction in particular has become a favourite because of what I learn. Similarly, stories set in WWI and/or WWII have appealed because of what I can learn about the period. I so enjoyed Irma Joubert’s “Girl From the Train” (not to be confused with Paula Hawkins similarly titled recent blockbuster).

Rachel McMillan’s Sherlock Holmes-inspired "Herringford and Watts Mysteries" series has taken me back to the early 1900s in Toronto, Canada. Rachel has such a sophisticated witty voice creating two marvellous lady dectectives while giving the reader a spin around some of the sights of Toronto.

Naturally, I can’t not read some of the various flavours of romance recommended by many on this blog. From contemporary beauties supplied by the likes of our own Kara Isaac and Andrea Grigg to romantic suspense by Lisa Harris and Ronie Kendig to Melissa Tagg’s rom-com there’s a feast of great reading to be had.

What’s a genre or new flavour (sub-genre?) that you’ve recently enjoyed and an example of an author that you never expected to read?

Happy reading, dear friends.




Ian Acheson is an author and strategy consultant based in Northern Sydney. Ian's first novel of speculative fiction, Angelguard, is available in the US, UK, Canada and Australia. Angelguard was recognised with the 2014 Selah Award for Speculative Fiction.You can find more about Angelguard at Ian's website, on his author Facebook page and Twitter

Monday, 7 December 2015

Guest Post: Participating as a Panelist

by Terry W. Ervin II


Literary panels are a staple that many attendees look forward to when attending writers’ conferences, fantasy/SF conventions, genre-related events such as romance reader conventions, and book festivals. Usually the panel’s audience is made up of readers and/or fellow writers at various stages in their career.

If invited, or if you must apply to be selected as a panelist, take advantage of the opportunity. Serving as a panelist is a good way to meet readers and fellow authors, and to share your experiences. While entertaining, simultaneously you’ll provide background information to readers and insight for writers as they navigate trials of being an author.

Panel topics are determined by event organizers, sometimes based upon input from author guests. Genre-based events, such as fantasy/SF conventions, will have panels that cater to the interests of attendees, just as a writers’ conference is likely to have panels focused on a variety of writing-related topics.

As an author, I’ve participated on over seventy panels in various venues and covering a host of topics. Often at fantasy/SF conventions I serve on three or four over the course of the weekend event. Based on this experience, which is miniscule compared to many authors out there, I’ve organized some suggestions for authors new to the experience so that they can get the most out of being a panelist, while benefitting the attendees—the ultimate reason for the panels.

Before attending the Event:

Prepare for the topic ahead of time, including a brief introduction of yourself. If the panel is on world building in a fantasy setting, make a few notes to remind yourself of maps, cultures, and histories of some commonly read authors. Maybe read or listen to some interviews (podcasts/YouTube) of those authors.

Dress appropriately. I've seen panelists show up looking like they'd slept three nights in their stained T-shirt and tattered jeans, and a comb appeared to have been a foreign object never to be touched, let alone used. Consider the con-attendees, the topic, and overall event. In general, appearing professional will prove beneficial.

Have business cards with contact information (website/email address) to share with other panelists and attendees that might talk with you afterward. It’s far more convenient than jotting emails and contact information on a piece of paper or a conference program. Special notes or information can be written on a business card’s reverse side.

Some panels provide paper tents featuring the participants’ names. If not, some authors bring a bookstand to hold one of their novels. Prepare a similar paper tent for your exhibition/sales table (if you have one and nobody watching it), letting event attendees know you’re serving on a panel and when you’ll return.

Do your homework. Know something about your fellow panelists. Being able make relevant comments referencing a fellow panelist's work is polite and demonstrates knowledge on the topic. It might even earn a few friends.

Prepare a few anecdotes relevant to the panel’s topic. If the panel is on religion in fantasy, there’s a good chance you’re participating because you have some knowledge and experience in that area. Review some novels, or even movies, that the audience would likely recognize and use the gathered information to illustrate points during the panel discussion. This will supplement answers comments and suggestions based on your personal experiences and published works.

Just Before the Panel:

If possible, show up a few minutes early. Introduce yourself to the other panelists and the moderator.

Use the restroom beforehand, and have a bottle of water, pen and paper, business cards, and one of your novels (preferably one relevant to the panel topic).

During the Panel:

It's okay to bring a title or two to hold up while introducing yourself, but not your entire series, going into detail of everything you've written. (Yes, I've seen panelists have to be cut off after going on about themselves and their writing for over three minutes after being asked to give the audience a brief introduction.) Twenty to thirty seconds should do.


Speak loud enough that you can be heard by all in the room. If there is a mic, use it and be sure to speak into it properly. You may believe your voice carries, but not everyone has average hearing. Plus, background noise, especially near the door/exit, can prove challenging to those attendees in the back. Maintain eye contact with the questioning individual, while shifting to the audience in general and fellow panelists as appropriate.

Smile, and listen to what others are saying. Appear interested and attentive. The audience will be watching. Plus, panels sometimes show up on Youtube. Jot down notes as you’re listening to help remember what you’d like to say if called upon, or refer back to if the opportunity presents itself.

If you're an author, it's okay to refer to your works to illustrate points. Do this, however, on a limited basis. Too much can turn the audience off to your input. The panel is not a venue to showcase your published works. Those attending the panel are there to learn while being entertained. They’re not there for author ‘infomercials.’

Answer concisely and avoid ‘hogging’ the panel. When possible, try to answer questions with information that can apply to other audience members with similar questions. Your comments will help/appeal to more people, and will reduce follow-up questions.

If you don't have something different or worthwhile to add to the current topic/question and you're your turn comes up, it's okay to say, "I agree with what ______ said about _______." and leave it at that.

Don't be afraid to say "I don't know" or “I’ve never come across that situation.” Causing panelists and those in the audience to cringe while trying to ‘fake’ knowledge on a topic is never a good thing. Chances are someone on the panel or in the audience will correct you. I’ve seen it happen. Even though ‘corrections’ are both appropriate and necessary, they’re uncomfortable for everyone involved. It is okay to say, “I don't know, but if I had to make an educated guess...” and follow up with your opinion based on observation or experience.

After the Panel:

Thank other panelists and the moderator. If the opportunity presents itself, thank audience members, especially those that contributed to the discussion with thought-provoking questions.

Before departing, take a moment for audience members to follow up with questions they might have. Even so, be aware that conversations might need to be moved to the hall if another event is scheduled in the room right after your panel.

If you have panels scheduled back to back, have business cards handy for folks with questions, and let them know where they can find you later. Keep in mind that audience members might have something else scheduled right after your panel ends.

Follow up with members of the panel you exchanged business cards with and those that you found interesting. Sending an email a week or two after the convention is a reasonable timeframe.

Additional Comments:

Relax and have a good time. If you’re someone that is hesitant to speak in front of people, know that this isn’t like standing up in front of a crowd all by yourself. You’ll be seated, and with fellow authors there supporting you, and in front of an audience interested in what you have to say.

About Terry W Ervin II


Terry W. Ervin II is an English teacher who enjoys writing fantasy and science fiction. His First Civilization’s Legacy Series includes FLANK HAWK, BLOOD SWORD and SOUL FORGE.
His most recent release coming in January of 2016 from Gryphonwood Press is RELIC HUNTED. It’s the sequel to RELIC TECH, the first novel in the science fiction Crax War Chronicles. Both novels are packed with action, adventure, aliens and even a bit of a mystery.

In addition to novels, Terry’s short stories have appeared in over a dozen anthologies, magazines and ezines. The genres range from science fiction and mystery to horror and inspirational. GENRE SHOTGUN is a collection containing all of his previously published short stories.
To contact Terry or learn more about his writing endeavors, visit his website at www.ervin-author.com and his blog, Up Around the Corner, at http://uparoundthecorner.blogspot.com

Thursday, 28 August 2014

Book Review: "Spirit Bridge" by James L Rubart



Spirit Bridge is the third and final episode in the Well Spring series. And wow, it sure finishes in a mighty way, so much so I’m very sad that it has now ended.

I’d suggest all readers read the first two in the series: Soul’s Gate and Memory’s Door, not just because they are fabulous novels but they provide a valuable introduction to this final episode.

This one starts where the last one ended, the Warriors Riding hoping to take some time out to rest and convalesce after the battle with Zennon and his demonic warlords. However, the Spirit has other ideas and it isn’t long before the battle is renewed and with tragic circumstances.

Two additional characters play pivotal roles. Simon, who we’ve met previously, and are never quite sure whose side he’s on. Rubart manages this ambiguity brilliantly. The second, Miyo, is in fact a new character and she plays an important leadership role in discerning the insidious plot of Zennon.

Brandon and Dana’s characters are well developed in this episode and I especially grew to like both of them. The romantic tension between them continues as an undercurrent but doesn’t distract the reader in developing empathy for them both.

What I particularly appreciated about this episode is how Rubart presents spiritual warfare in the context of the daily battle we all have in surrendering our desires and hopes to God. He explores it through Reece, Brandon and Dana demonstrating how each of them unknowingly allows the enemy to infiltrate through some form of self-glorification.

This culminates in a fantastic final battle scene that is magnificently described allowing the reader to visualize it effortlessly.

This is a wonderful series that so powerfully demonstrates spiritual warfare in a fictional context that is uplifting, challenging and thrilling in its suspensefulness.

I can’t recommend it enough and so look forward to reading Rubart’s next creation.




Ian Acheson is an author and strategy consultant based in Northern Sydney. Ian's first novel of speculative fiction, Angelguard, is now available in the US, UK, Canada and Australia. You can find more about Angelguard at Ian's website, on his author Facebook page and Twitter