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Showing posts with label Christian romance. Show all posts
Showing posts with label Christian romance. Show all posts

Monday, 31 July 2017

Bookish Question: How do you define Christian Fiction?

By Iola Goulton


This is a cross-post with my own blog, Iola Goulton. Click here to add to the discussion.

I have an ulterior motive in asking this question. 


I’m presenting at the 2017 Romance Writers of New Zealand conference later this month. My topic is Christian Romance: the biggest romance genre you’ve never heard of.

I’ve been to two previous Romance Writers of New Zealand conferences, and met many authors writing all kinds of romance, from sweet to erotica. Some of these writers are Christians, who confess their worry at breaking in to the writing world when they don’t want to include sex scenes in their novels. They’ve barely heard of “clean” or sweet romance, let alone Christian romance.

That’s what prompted me to pitch the topic to the RWNZ Conference organisers last year (among others). And I guess it intrigued them as well, because this is the topic they asked me to speak on.

Here’s what I pitched to RWNZ:

Romance is one of the most popular genres in the US-driven Christian fiction market, but many New Zealand authors—even Christian authors—don’t know it exists. This session will:
  • Introduce authors to the Christian fiction genre and the CBA market.
  • Highlight the main Christian fiction imprints and publishers.
  • Consider how Christian fiction (and especially Christian romance) differs from general market fiction.
  • Discuss Christian vs. inspirational vs. crossover fiction, and the emerging trends for ‘clean reads’ and ‘edgy Christian fiction.’
Parts of the presentation will be straightforward. Who publishes Christian fiction? Easy—check the free download available from my website, www.christianediting.co.nz.

Which agents represent Christian fiction authors? Also easy, thanks to a free download compiled by Michael Hyatt, the ex-CEO of Thomas Nelson.

And where can you buy Christian fiction? At Christian book stores—like Koorong.com in Australia, or Manna Christian Books and Sonshine Books here in New Zealand. And at Amazon. Of course.

But this leaves one big question. How do we define Christian fiction?


It sounds easy, but it isn’t. I’ve written several blog posts on defining Christian fiction and Christian romance. There is no easy answer.

What do you think, either as a reader or as a writer (or both)? How do you define Christian fiction? Specifically, Christian romance?


I’d love to know what you think!

Wednesday, 28 June 2017

Book Review: The Mark of the King by Jocelyn Green

Lucy here with a review of

The Mark of the King, by Jocelyn Green


Can we pause for a moment and admire the cover?? How gorgeous is that! 

Right. Onto the review. I give "The Mark of the Kin" a solid 4 stars. 

I had a love/hate relationship with this book. I had no expectations (warnings?) when I started reading and LOVED it up until about the end of the first 1/4 or 1/3. It then dawned on me that this was NOT going to be a "standard" romance. I left it sitting idly on my Kindle for a few days before swallowing hard and diving back into it.

What drew me back? 

The description.

Slate grey clouds now drifted in the sky, veiling the constellations like wraiths.

Green, Jocelyn (2017-01-03). The Mark of the King (Kindle Location 934). Baker Publishing Group. Kindle Edition. 

Mmm mm. I'm a sucker for description (I still vividly remember Laura Frantz's Courting Morrow Little's first page and the line about "the dust beneath her bare feet fine as flour") and wow does Jocelyn do description really well. Seriously. I felt like going to a southern bayou and finding a crayfish chimney to stand on just to feel it crunch beneath my heel as Julianne had. I could practically feel the humid slap of Spanish Moss upon my face as we traversed the muddy 18th century frontier. Could hear everything. Feel everything.

And that was part of the problem. I could visualise everything so clearly that the brutality of midwifery, greedy soldiers, backstabbing Indians (as portrayed in the book, not my personal opinion), and the lack of care from France was so, well, in my face. So raw. Refreshing, for a Christian book. But also uncomfortably so at times. 

A dilemma. 

Also...the romance. Great setup for romance, at least at the start. An arranged marriage. Between 200 men/women. Wow! Nothing like having to pick one's life partner in ten minutes or less. 

But the romance...wasn't. At least not how I've come to expect romances to be. Julianne's first marriage isn't her last (not wanting to give any of the plot away), and that second marriage is more of a thin candle than an bushfire romance. 

Still, there are gems such as this one:

“We all have scars, my beautiful one. They make us who we are, and if we let them, they bring us together.” His lips curved gently. “Now, let me show you how much I love you.”

Green, Jocelyn (2017-01-03). The Mark of the King (Kindle Locations 3258-3259). Baker Publishing Group. Kindle Edition.  

 Excellent advice.

In parting, I do recommend The Mark of the King but be prepared to sit down to a meal, not an ice-cream. Available here.


Lucy Thompson loves a good story, a hot coffee, and silence. Blessed silence. But with five children, a tool-wielding hubby, and numerous characters yammering away at her, that isn't likely to happen any time soon. :)

Come find me on Facebook. I'd love to make a new friend. :)
If, by any chance, you'd rather fancy a cowboy romance, then I have two on Amazon. Mail Order Surprise and A Cowboy's Dare. Enjoy!

  

Tuesday, 21 February 2017

Sheilas and Blokes




We Australians are reputed for some funny sayings. Though these names are not used so much in today’s vernacular, in times past the Aussie slang for woman was ‘sheila’, and for man was ‘bloke’.

A few years ago during a Uni lecture - Cinema Screen and Theatre – we were shown a reel that highlighted the Australian movies of the last 100 years. In the reel they had a section entitled ‘Sheilas’ and specifically focused on the way women had been represented on the screen over that time. I watched with a combination of amusement and cringe as the documentary-maker honed in on the early movies from the 1920’s through to the 1950’s where the female characters were depicted as helpless, pathetic and always in need of rescue. The scenes chosen were done so in a deliberate attempt to show the attitude toward women in the pre-feminist era. There was a very obvious scoffing at how the hero had to come in to lift the heroine from her downcast position, her head lolling back as she stared up in awe at her rescuer. Cringe. It did make me want to say: ‘toughen up princess!' Then as we moved on past the 1970’s the heroine became much more aggressive, and was able to fend off attackers herself, using bricks and other bits and pieces that came to hand.

Mind you, the way the blokes were depicted in this collage during the early years showed men who were condescending and verging on arrogant. Sitting in our post-modern era, even I felt like giving them a good shellacking. 

As I was pondering on what I had seen during the class I had fully understood the message that was intended: the helpless damsel in distress is pathetic and needs to be an independent, self-sufficient woman. The rescuing hero is a self-important, arrogant, oppressive personality.

 But something wasn’t quite right with the message, and I was upset by it. I’m a writer of romance, and a strong self-sacrificing hero is essential. Admittedly, I’m not a fan of a useless heroine. She needs to have some gumption and presence of mind, but having need of a rescue and assist every now and again can lead to some nice romantic interaction.

Examining this idea that exists in my mind at least (though I suspect I’m not alone as evidenced by the popularity of the romance industry) raises a question: Where does this fascination for a rescuing hero come from?

In the past I have talked about an innate need for a hero/saviour. The old Webster definition for romance included these words: a fabulous story of love or of war. Romance is all about strong heroes; Action characters who rescue situations and damsels. Why do we, men and women both, enjoy a story of heroism? My immediate response is: all mankind need a hero/saviour, and that hero is Jesus Christ who has effected the great rescue of all time. We do not rescue ourselves from sin and death using a brick or anything else. It is the sacrificing blood of Christ, and our grateful response of surrender to Him. Are we pathetic and useless? Perhaps, but we are also saved, and without Him as our hero we wouldn’t be able to make any sacrifice or be involved in any works that would give us the eternal life we have through His work. 

The Biblical picture used is that Christ is like the husband, head of the church - the bride. It isn’t a popular picture in terms of modern feminism, but if we think back to that documentary reel I viewed, Christ doesn’t fit that pattern. He has never been condescending, arrogant or oppressive. That is not who our hero saviour is. And I don’t think he calls us to be pathetic and useless either; Grateful, gentle, trusting, submissive perhaps, but not useless. He calls us to courage and action. He tells us to submit our burdens to him and that He will be our strength.

So has post-modern feminism killed off the great hero? How does that affect our view of the need for a saviour? Can the princess really save herself? 

For me, I think I will continue to enjoy a strong, self-sacrificing, take-charge hero in the romance I read and write and keep in mind the Saviour who is all those things and more.

 ‘How Sweet The Sound’ by Meredith Resce is a fantasy story about a hero, Prince Justin, sent to the Island of Terranin to save the governor’s daughter, Christina, from the violent usurper, Lucien. It is a parable of the story of Christ the redeemer.


Meredith Resce – author of the ‘Heart of Green Valley’ series, ‘Mellington Hall’, ‘Falling for Maddie Grace’ and many other novels.

Follow Meredith Resce on her Face Book page
For more details go to her website - www.meredithresce.com 

First image is the painting Chivalry - Sir Frank Dicksee (1853-1928)

Monday, 10 October 2016

The Genre Interview, with Andrea Grigg

Welcome to another genre interview. Today, Gold Coast author, Andrea Grigg, has agreed to answer our questions.



Which genres do you write? 

Andrea: Just romance at the moment, but I'd like to try women's fiction at some stage.

Which market do you write for? (Christian or general, clean reads, etc)


Andrea: My first two books and my novella are for the Christian market, but my next one will be a sweet romance for the general market.



In which genres do you have books available for sale?

Andrea: Romance, romance and romance! You can find me on Amazon here.


How many books have you published in each genre?

Andrea: Three in the romance genre – two novels and one novella

Are you published traditionally, indie, or hybrid?

Andrea: Hybrid. My first two novels were published traditionally with Rhiza Press and my novella is indie published in a box set, along with five other authors: Lacy Williams, Marion Ueckerman, and our own Narelle Atkins, Rose Dee, and Meredith Resce. 


Did genre influence your decision to choose a particular publishing model?

Andrea: No, not at all. I wrote a book, wondered what to do with it, and then the steps appeared in front of me. I guess you could say God led me there ;)


Are your published works available in print, ebook, or both?

Andrea: 'A Simple Mistake' and 'Too Pretty' are available in both print and ebook; 'An Aussie Summer Christmas', the box set containing my novella, 'All is Bright', is ebook only.






Why do you write what you write? Do you feel called to write?

Andrea: It’s a good question, isn’t it? I’ve thought about it a lot.  I write romance because I love reading it. I also love to encourage people – I feel that’s my calling rather than writing itself. However, if I can encourage, or bring hope, or help people feel they’re not alone, and do it through my writing, then I’m doing what I’m supposed to do and I’m content with that.

Many thanks to Andrea Grigg for sharing her thoughts on genre. 




Andrea would love to connect with you on her Facebook author page, or via Twitter, or you could send her an email at andreagrigg@live.com