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Showing posts with label realism. Show all posts
Showing posts with label realism. Show all posts

Thursday, 2 August 2018

Book Review: The Masterpiece by Francine Rivers

by Carolyn Miller @CarolynMAuthor


Whenever I see a lot of buzz about a particular book I haven't yet read I get curious. When I hear it's a book by Francine Rivers, author of such thought-provoking best-selling novels like Redeeming Love, and one of my favourite series 'Mark of the Lion' then I'm tempted to find out more. And when it's staring me at the face in Koorong, okay, I'll bite. And I'm so glad I did!

Here's the blurb:
A successful LA artist, Roman Velasco appears to have everything he could possibly want—money, women, fame. Only Grace Moore, his reluctant, newly hired personal assistant, knows how little he truly has. The demons of Roman’s past seem to echo through the halls of his empty mansion and out across his breathtaking Topanga Canyon view. But Grace doesn’t know how her boss secretly wrestles with those demons: by tagging buildings as the Bird, a notorious but unidentified graffiti artist—an alter ego that could destroy his career and land him in prison.

Like Roman, Grace is wrestling with ghosts and secrets of her own. After a disastrous marriage threw her life completely off course, she vowed never to let love steal her dreams again. But as she gets to know the enigmatic man behind the reputation, it’s as if the jagged pieces of both of their pasts slowly begin to fit together . . . until something so unexpected happens that it changes the course of their relationship— and both their lives— forever.


Why I like it:
* It reads 'real.' The characters of Roman and Grace certainly don't fit the squeaky-clean images one can read in many Christian fiction books (but probably do fit Francine Rivers's usual type of characters). Both have made mistakes, both are trying to overcome their pasts (and occasionally slipping back into old habits), both experience God's redemptive power at work. Their emotions, backgrounds, language, struggles, reactions all feel authentic. Love it!
* It's a fast-paced read. It's a nice balance of action, description and reflection. I wanted to keep reading because I care about the characters.
* I like the element of the supernatural. It seems rare to read such direct references to visitations from angels, demons, etc in such a mainstream book. But it reminds us how true this is, and how we shouldn't dismiss what we cannot see.
* I like the supporting characters. They seem like the sort of people I would like to hang with their mix of honesty, faith and fun. Oh, and did I mention they feel real, too?
* I like the elements to do with art. My new novel is based on an artist, so it's fun to read about a very different type of creator of artwork.
* I like the cover - so beautiful! (And the artwork was created by a real Californian graffiti artist!)
* It shows how easy it is to misjudge others, based simply on what we see rather than taking the time (and effort) to truly get to know others. This novel shows how true that can be for church people, too.
* Lastly, I love it due to the emphasis on grace - God's grace, big enough and available for anyone. One can never read too many books that encourage us to reflect on God's grace and to extend that to others.

Well worth reading.

Available at Koorong, Amazon, etc

Carolyn Miller lives in the beautiful Southern Highlands of New South Wales, Australia, with her husband and four children. Together with her husband she has pastored a church for ten years, and worked part-time as a public high school English and Learning and Support teacher. 
A longtime lover of romance, especially that of Jane Austen and Georgette Heyer’s Regency era, Carolyn holds a BA in English Literature, and loves drawing readers into fictional worlds that show the truth of God’s grace in our lives. Her Regency novels include The Elusive Miss Ellison, The Captivating Lady Charlotte, The Dishonorable Miss DeLancey, Winning Miss Winthrop and Miss Serena's Secret, all available from Amazon, Book Depository, Koorong, etc

Connect with her:        website | facebook | pinterest | twitter| instagram




Friday, 6 July 2018

Balancing Hope and Reality


by @CarolynMAuthor



A few weeks ago my mother and I watched the film The Bookshop, based on the novel by Penelope Fitzgerald. This evocative film is about Florence Green, a widow in the late 1950s, who tries to establish a bookshop in a small English town against the wishes of the controlling doyenne of the local community, and is (*spoiler alert!*) ultimately unsuccessful.

Not having read the book, I was (unpleasantly) surprised by the ending, which prompted a conversation with my mother about how it perhaps reflected the reality of many small business owners who invest huge amounts of capital and time and energy into their dreams, only to see them fail. It's not the Australian dream, it's definitely not the American dream, but it is many people's reality. We try, and sometimes we don't succeed.

Driving away from the movie I started to wonder how this story could have ended. Should it have been more of an 'underdog wins against all odds' story? Or would that have been too simple, a Disney response to a world that doesn't like to face uncomfortable truths? Was I simply caught in the romance writer's bubble of 'happy-ever-after'? One of the central themes was about how the courage of this small, kind-hearted woman gave courage to others, so it wasn't completely depressing. But it was unsettling.

I believe hope is one of the most wonderful aspects of being a Christian, and something that we should offer in a desperate world hungry for good news. Yet this tension exists between creating stories that are real with ones that offer the chance to escape reality, and enter a different world where hope can perhaps be more plainly seen.

Sometimes I see this tension as people discuss the types of fiction they enjoy reading and/or writing, contemporary vs historical, realistic vs fantasy, redemptive vs squeaky clean Christian. (Side note: It's funny how what one person sees as 'squeaky clean' another might see very differently. I saw this recently with two editors both working for my publishers which saw certain sections of manuscript red flagged by one editor after the other okayed it. 😬)

Sometimes this 'either/or' mentality isn't helpful, as we can focus more on what perceived differences are than what we have in common. For whether we are published or not, self-published or traditionally published in Australia or the US (or not), writing stories for the general market or for Christians, stories that subtly allude to Christian truths or include Bible references, the most important thing we need to offer is a sense of hope.


Yes, we can be gritty. Yes, we can be real. But if our words don't ultimately offer something that fuels courage and persistence and enables readers to dream and not despair, then our readers might as well be watching the news.

I no longer enjoy watching the news. (Side note: does anyone truly 'enjoy' it? "Ohhh, look, here comes the bit about the grisly murder in Sydney! Yay, can't wait!") I don't particularly enjoy the uncertainty it delivers along with a sensationalised side of negativity; it doesn't restore my soul or give any great confidence for the future. Call me naive but I prefer what I watch and read to instil a sense of courage, of reassurance, that victory is possible, something that I hope my novels can offer also.

A person's need for story varies at different times, and in different seasons in life. A 'happily-ever-after' might seem a bit raw to someone in mourning, or it might give that person comfort, or possibly even courage to one day dream again. We can't know how our words will be received.

But we CAN know that God is good, and that He gives us hope, and in Jesus Christ, He gives hope to all who believe. So even if our stories are gritty and realistic and grounded in the cares and concerns of this world, we know that ultimately, in Him, there is a happy ending when good triumphs over evil.

Something that gives us hope.

Carolyn Miller lives in the beautiful Southern Highlands of New South Wales, Australia, with her husband and four children. Together with her husband she has pastored a church for ten years, and worked part-time as a public high school English and Learning and Support teacher. 
A longtime lover of romance, especially that of Jane Austen and Georgette Heyer’s Regency era, Carolyn holds a BA in English Literature, and loves drawing readers into fictional worlds that show the truth of God’s grace in our lives. Her Regency novels include The Elusive Miss Ellison, The Captivating Lady Charlotte, The Dishonorable Miss DeLancey, Winning Miss Winthrop and Miss Serena's Secret, all available from Amazon, Book Depository, Koorong, etc

Connect with her:        website | facebook | pinterest | twitter| instagram


Friday, 15 May 2015

Let's Talk About Sex, Baby! (Part 2)

(Image courtesy of smarnad
at FreeDigitalPhotos.net)
It’s almost two months since I wrote my first post on the, ahem, touchy subject of sex in Christian novels. If you haven’t read it or would like to refresh your memory, you can find it here. Thank you to everyone who commented on my question: When is realistic too much? Your thoughts were both insightful and intriguing.

Every fortnight, a group of us from a local church get together at Zarraffas (a Queensland coffee chain). These ‘Ladies of Reedy Creek’, as I’ve dubbed them, range in age from 30 to 70+, and are very accommodating when I ask them questions concerning writing. All I have to do is bring out my pen and little black notebook and they’re like meerkats on alert.

This week, I asked them what they thought about sex issues being addressed in Christian novels. (Picture a group of extremely alert meerkats). Not only were their responses unanimous (except for one who left to attend a doctor’s appointment – or so she said) but they were strongly felt.

 Here’s a summary of what they said:

There is a definite demand for stories which are G-rated, however, they would like to see Christian books which address the more gritty issues too. For example:
 • Characters with a past which is described realistically, just not graphically.
 • The struggle men (and not just teenage ones) have in their thought life
 • The pressure to remain pure without making purity an idol
 • Guilt issues surrounding premarital sex
 • They would prefer sex to stop at the bedroom door but agree there is a need for stories which address intimacy problems, particularly for those who
 o are entering marriage for the second time
 o have blended families
 o have suffered sexual, physical, or emotional abuse

(Image courtesy of markuso
at FreeDigitalPhotos.net)
Talking of bedroom doors, as I mentioned in the previous post, Francine Rivers left the door wide open in her latest novel, Bridge to Haven. Personally, I thought the wedding night was written very tastefully. It wasn’t graphic and didn’t include body parts, although the word ‘naked’ was used. There was the usual nervousness, but also fear because of what had gone before in the life of the main character, Abra. I thought the scene necessary in order to show the redemptive healing process. Nevertheless, Francine copped a lot of criticism along with the five-star reviews.

As we all know, everyone has a differing opinion of what’s okay and what isn’t, so how do we write about these sexual issues in our novels?

Diana Gabaldon, best-selling author of the Outlander series, says this: ‘Sex scenes are not about sex. A good sex scene is about the exchange of emotions.’

Now, before you shut down your computer in horror, I’m not suggesting we should write sex scenes! (Goodness, I find kissing scenes difficult to write, let alone anything more, lol). But maybe, just maybe, there’s a clue to our dilemma in that quote.

Exchange of emotions

Rather than write a graphic scene – be it rape, abuse, intimacy issues or even healthy sex – perhaps we could focus on the visceral and emotional responses of our characters. Could this be a way of showing the effects of these experiences without offending? Is this the answer for displaying the realism we seek?

Here’s a quote from one of the Ladies of Reedy Creek (who also happens to be a pastor’s wife). NB: we were discussing the realism issues when she said this:

‘We’re bombarded by (sexual) explicitness and negativity in the general market. What are we offering in return?’

Good question, isn’t it?

There’s been a lot of talk about including realism in our stories, but where do the more gritty and confronting aspects of life fit?  I’m a romance writer, and while I like to write as realistically as I can, I’m not convinced that explicit content belongs in my genre … at least, not in real time. 

I believe that in a romance novel, these darker themes belong in backstory. Readers of romance expect to be taken on a journey which explores the beauty and wonder of falling in love. That’s not to say our characters don’t go through hardships and trials – of course they do or else there’s no conflict and without conflict you don’t have a story. (Note: if there isn’t a happy ending in the book you’re reading, then it’s a love story, not a romance.)

Bridge to Haven is women's fiction. Jo Wanmer’s Though the Bud Be Bruised falls into the fiction category. Paula Vince’s Picking Up the Pieces is YA fiction. They all deal courageously with the unpleasant and harsh realities of life, but while they may include elements of romance, they are not romance novels.

 It seems to me that getting the genre right and having an understanding of what is expected within each one is extremely important when tackling these concepts.

Think of the Christian books you've read which have been out of the box as far as realism goes. In which genre have they appeared?

As always, I look forward to reading your comments.



Andrea writes contemporary romance. Her first book A Simple Mistake was a finalist in the CALEB Awards 2012. Her second novel Too Pretty was released in 2014 by Rhiza Press. 

Andrea would love to hear from you via her website or Facebook page:
http://www.andreagrigg.com/
https://www.facebook.com/author.andreagrigg